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FERGUS BARNABY GOES ON VACATION

The free-spirited illustrations, the detailed urban setting, and Fergus’ close connections with his friends are sure to make...

The Barnaby family is getting ready to go on vacation, but Fergus keeps forgetting things.

Young Fergus Barnaby, a small fuzzy bear, is trying to close his overstuffed suitcase but realizes several crucial items are missing. The family lives on the first floor of a typical New York brownstone apartment building, so Fergus must climb the stairs to the second floor to retrieve his bucket and shovel from his giraffe friend Fred; to the third floor to get his goggles from his hippo friend Emily Rose; and to the roof to get his kite from his monkey friend Teddy. The friends are each depicted in their distinctly styled living spaces, most interestingly Fred’s jazz studio. As with Barrow’s earlier Have You Seen Elephant? (2016), the illustrations are skillfully rendered in a splashy, textured watercolor style, with lots of interesting details. Clues to the personalities of the characters abound in the drawings taped to the walls, pictures on a fridge, and, sweetly, plants labeled with Fergus’ and Teddy’s names on Teddy’s balcony. Finally packed up, Fergus and Dad set off for the beach in their purple VW Bug only to realize a terrible omission: “We forgot MOM!!”

The free-spirited illustrations, the detailed urban setting, and Fergus’ close connections with his friends are sure to make this a hit with every child looking forward to a trip. (Picture book. 3-5)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4380-5009-6

Page Count: 32

Publisher: Barron's

Review Posted Online: Aug. 20, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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WHY?

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.

Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-4521-6863-0

Page Count: 60

Publisher: Chronicle Books

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: July 15, 2019

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