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THE BIG RACE

Satisfactory—but far from transcendent.

Participation awards are for people who try.

And Aardvark wants to try! On the day of the big race, she sets out to compete in a race that traditionally features the, “fastest, biggest and strongest” animals in town: Cheetah, Buffalo, and Crocodile. Although the trio is skeptically hostile, Aardvark vows that she’ll enter and that she’ll have fun competing. Over a series of obstacles that see the race’s leader change multiple times, Aardvark stays in last place until the final minutes of the race. While the final result may be a bit of a surprise for some readers, the message of inclusion creates a heartwarming end. Barrow’s story is amusing but far from groundbreaking. The colorfully mottled illustrations are bright and inviting, but they may cause the odd head-scratch from astute readers: Why is crocodile in third place during the swimming portion of the race? How did everyone get a hot air balloon except Aardvark? She registered, too. And how, after plummeting from high in the sky, does Aardvark survive when her helium-balloon conveyance pops?? These quirks aside, the book is perfectly adequate. Aardvark makes a comical contrast to the powerful animals, with her stubby legs, elongated snout, and expressively droopy ears.

Satisfactory—but far from transcendent. (Picture book. 6-9)

Pub Date: Sept. 1, 2019

ISBN: 978-1-61067-880-3

Page Count: 32

Publisher: Kane Miller

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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THE ULTIMATE BOOK OF CITIES

There’s lots to see and do in this big city.

A set of panoramic views of the urban environment: inside and out, above and belowground, at street level and high overhead.

Thanks to many flaps, pull tabs, spinners, and sliders, viewers can take peeks into stores and apartments, see foliage change through the seasons in a park, operate elevators, make buildings rise and come down, visit museums and municipal offices, take in a film, join a children’s parade, marvel as Christmas decorations go up—even look in on a wedding and a funeral. Balicevic populates each elevated cartoon view with dozens of tiny but individualized residents diverse in age, skin tone, hair color and style, dress, and occupation. He also adds such contemporary touches as an electrical charging station for cars, surveillance cameras, smartphones, and fiber optic cables. Moreover, many flaps conceal diagrammatic views of infrastructure elements like water treatment facilities and sources of electrical power or how products ranging from plate glass and paper to bread, cheese, and T-shirts are manufactured (realistically, none of the workers in the last are white). Baumann’s commentary is largely dispensable, but she does worthily observe on the big final pop-up spread that cities are always changing—often, nowadays, becoming more environmentally friendly.

There’s lots to see and do in this big city. (Informational novelty. 6-9)

Pub Date: April 4, 2017

ISBN: 979-1-02760-079-3

Page Count: 22

Publisher: Twirl/Chronicle

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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