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EROS AND THE JEWS

FROM BIBLICAL ISRAEL TO CONTEMPORARY AMERICA

A scholarly study of Jewish sexuality that is neither sexy nor particularly Jewish. Here, Biale (Power and Powerlessness in Jewish History, 1986) appears to have lost his way in the murkier realms of philosophy and theology. He's at his best when dealing with the sociological and psychological realms of sexuality and powerlessness, as noted in the nervous passions of Woody Allen, Lenny Bruce, and Erica Jong. Elsewhere, though, his central argument sees Eros in Judaism as ``the struggle between contradictory attractions...the story of a profoundly ambivalent culture.'' Biale consistently misses the subtleties of the Oriental, Jewish paradox of erotic spirituality with his Occidental, secular Bible-critic's sensibility that finds only contradictions. He therefore thinks it scandalous (rather than glorious) that King David's lineage is built on the incestuous seductions of the gentiles Tamar and Ruth (who lust only for progeny). Similarly, Biale cannot see how the literal level of the ``Song of Songs'' feeds the spiritual level with its erotic yearning for the Other. The failure to see that classical Judaism is closer to the Kama Sutra than to the teachings of St. Paul is one thing, but Biale is guilty of errors (``Jacob himself associated with the affirmation of intermarriage'') and of contempt for traditionalists who don't share his view that Judaism is a derivative amalgam of Canaanite and Greco-Roman culture. His subjectivity is all too perceptible. The extensive notes and bibliography help document shifting attitudes toward romance and marriage, but a topic like this deserves a little passion.

Pub Date: Sept. 23, 1992

ISBN: 0-465-02033-X

Page Count: 336

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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