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THE FIRST FLUTE

WHOWHOAHYAHZO TOHKOHYA

If a bit patchwork, the package is still powerful.

As he has in the past, Bouchard (The Song within My Heart, 2015, etc.) joins talents with a multicultural team, in this case New Zealand–American illustrator Oelze, Kalapuya flautist Jan Michael Looking Wolf, and Dakota translator Goodwill, to present an uplifting tale.

Audiences will quickly become immersed in the combination of storytelling, music, and artwork. Dancing Raven has many skills, but his passion, dancing, is not recognized until Grandfather Cedar shows him the path of love and gifts him a flute. A prologue explains that this telling has been handed down from Looking Wolf's uncle. Their tribal affiliation is not indicated within the book, nor are source notes for other versions of the story provided, so those unfamiliar with Native American folklore and cultures must trust and enjoy the experience as presented. Text appears in English and Dakota, while CD tracks in English, French, and Dakota invite a wide audience. Those who have never heard it will be fascinated by the sound of the Dakota language, which is recorded by an older, gravelly voice that resonates with gravitas (the narrator is not named). Looking Wolf's music is atmospheric and moving. Masterful paintings—lush, vibrant, frequently suffused with sunlight—do not so much extend the text as accompany it, as if selected after the fact rather than crafted for it.

If a bit patchwork, the package is still powerful. (Picture book/folk tale. 8-12)

Pub Date: Oct. 1, 2015

ISBN: 978-0-88995-475-5

Page Count: 40

Publisher: Red Deer Press

Review Posted Online: July 26, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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WORDS WITH WINGS

An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

In this delightfully spare narrative in verse, Coretta Scott King Award–winning Grimes examines a marriage’s end from the perspective of a child.

Set mostly in the wake of her father’s departure, only-child Gabby reveals with moving clarity in these short first-person poems the hardship she faces relocating with her mother and negotiating the further loss of a good friend while trying to adjust to a new school. Gabby has always been something of a dreamer, but when she begins study in her new class, she finds her thoughts straying even more. She admits: “Some words / sit still on the page / holding a story steady. / … / But other words have wings / that wake my daydreams. / They … / tickle my imagination, / and carry my thoughts away.” To illustrate Gabby’s inner wanderings, Grimes’ narrative breaks from the present into episodic bursts of vivid poetic reminiscence. Luckily, Gabby’s new teacher recognizes this inability to focus to be a coping mechanism and devises a daily activity designed to harness daydreaming’s creativity with a remarkably positive result for both Gabby and the entire class. Throughout this finely wrought narrative, Grimes’ free verse is tight, with perfect breaks of line and effortless shifts from reality to dream states and back.

An inspirational exploration of caring among parent, teacher and child—one of Grimes’ best. (Poetry. 8-12)

Pub Date: Sept. 1, 2013

ISBN: 978-1-59078-985-8

Page Count: 96

Publisher: Wordsong/Boyds Mills

Review Posted Online: July 16, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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THE NEWSPAPER CLUB

From the Newspaper Club series , Vol. 1

Nellie Bly’s contemporary namesake does her proud.

Eleven-year-old Nellie’s investigative reporting leads her to solve a mystery, start a newspaper, and learn key lessons about growing up.

Nellie’s voice is frank and often funny—and always full of information about newspapers. She tells readers of the first meeting of her newspaper club and then says, “But maybe I’m burying the lede…what Dad calls it when a reporter puts the most interesting part…in the middle or toward the end.” (This and other journalism vocabulary is formally defined in a closing glossary.) She backtracks to earlier that summer, when she and her mother were newly moved into a house next to her mother’s best friend in rural Bear Creek, Maine. Nellie explains that the newspaper that employed both of her parents in “the city” had folded soon after her father left for business in Asia. When Bear Creek Park gets closed due to mysterious, petty crimes, Nellie feels compelled to investigate. She feels closest to her dad when on the park’s swings, and she is more comfortable interviewing adults than befriending peers. Getting to know a plethora of characters through Nellie’s eyes is as much fun as watching Nellie blossom. Although astute readers will have guessed the park’s vandalizers, they are rewarded by observing Nellie’s fact-checking process. A late revelation about Nellie’s father does not significantly detract from this fully realized story of a young girl adjusting admirably to new circumstances. Nellie and her mother present white; secondary characters are diverse.

Nellie Bly’s contemporary namesake does her proud. (Fiction. 8-12)

Pub Date: March 10, 2020

ISBN: 978-0-7624-9685-3

Page Count: 208

Publisher: Running Press

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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