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HOW LANGUAGE WORKS

HOW BABIES BABBLE, WORDS CHANGE MEANING, AND LANGUAGES LIVE OR DIE

Packed with information, memorable anecdotes and surprising statistics, all presented with assurance and enthusiasm.

A virtual encyclopedia of language, so broad in scope that its subtitle can only hint at its contents.

British linguist Crystal, editor of The Cambridge Encyclopedia of Language and author of numerous other works on language, is writing here for the interested layman as well as the language maven. He touches on just about every aspect of language: the physiology behind the formation of speech sounds; how we learn to speak, read and write; how we choose what to say; how the brain handles language; how language tells who we are and where we’re from; how languages evolve. His approach is always to explain “how,” every chapter starting with that word. After beginning with spoken and written language, with a brief look at computer-mediated communication, he moves on to sign language; the structure of language; dialects; the various families of languages; and multilingualism. Following this order is not necessary, however, for Crystal advises that each short chapter is self-contained and the sequencing is up to the reader. While not quite a reference book, its index enables it to function as one, as do the illustrations, e.g., the diagrams of the human throat, ear and brain; the charts of Egyptian hieroglyphs and Sumerian pictograms in the section on writing systems; the depiction of British and American finger spelling in the section on sign language; the Indo-European language tree that demonstrates language relationships. Other language professionals may quibble with the brevity of his treatment of specific topics and argue with some of his opinions about the descriptive-vs.-prescriptive approach to the study of language; for the general reader, however, it is a user-friendly introduction to the many hitherto-unthought-of aspects of language.

Packed with information, memorable anecdotes and surprising statistics, all presented with assurance and enthusiasm.

Pub Date: Nov. 2, 2006

ISBN: 1-58567-848-1

Page Count: 512

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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