by David Diop ; translated by Anna Moschovakis ‧ RELEASE DATE: Oct. 6, 2020
A searing, eye-opening tale of innocence destroyed.
Alfa Ndiaye, a young Senegalese man recruited into the French army as a rifleman, confronts the madness of World War I and his role in that madness.
The book opens on a note of anguish, with Alfa recalling his shameful inability to help his childhood friend Mademba Diop, who was eviscerated on the battlefield. Mademba begged Alfa to end his suffering by slitting his throat, but Alfa couldn't bring himself to do that to his "more-than-brother." Tormented by the failure, Alfa took it out on the enemy by sneaking across "pools of blood" every night to gut German soldiers with his machete. At first, Alfa's fellow "Chocolats," as they were known, were impressed by his boldness and cunning. But his strange practice of bringing back each victim's severed hand with the rifle it fired convinced them he was an evil sorcerer. Alfa, who had never previously stepped outside his village, tells of his beautiful mother, who abandoned him when he was a boy to search for her father, a shepherd, and never returned; Alfa's own father, who had three other wives; and the village chief's daughter, who risked her father's wrath by making love to Alfa before he went off to war because, as he says, "to die without knowing all of the pleasures of the body isn’t fair." French West African writer Diop's short but emotionally packed second novel illuminates an underreported chapter in French and Senegalese history. Part folklore, part existential howl, and part prose poem, it is a heartbreaking account of pointless suffering. Ultimately, Alfa is left wondering why his physical power can't translate into "peace, tranquility and calm." Though God is ever present in Alfa's thoughts, he can't help but ask why God "lags behind us."
A searing, eye-opening tale of innocence destroyed.Pub Date: Oct. 6, 2020
ISBN: 978-0-374-26697-4
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by David Diop ; translated by Sam Taylor
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New York Times Bestseller
by Tana French ‧ RELEASE DATE: March 5, 2024
An absorbing crime yarn.
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A divorced American detective tries to blend into rural Ireland in this sequel to The Searcher (2020).
In fictional Ardnakelty, on Ireland’s west coast, lives retired American cop Cal Hooper, who busies himself repairing furniture with 15-year-old Theresa “Trey” Reddy and fervently wishes to be boring. Then into town pops Trey’s long-gone, good-for-nothing dad, Johnny, all smiles and charm. Much to her distaste, he says he wants to reclaim his fatherly role. In fact, he’s on the run from a criminal for a debt he can’t repay, and he has a cockamamie scheme to persuade local townsfolk that there might be gold in the nearby mountain with a vein that might run through some of their properties. (What, no leprechauns?) “It’s not sheep shite you’ll be smelling in a few months’ time, man,” he tells a farmer. “It’s champagne and caviar.” Some people have fun fantasizing about sudden riches, but they know better. Johnny’s pursuer, Cillian Rushborough, comes to town, and Johnny tries to convince him he could get rich by purchasing people’s land. Alas, someone bashes Rushborough’s brains in, and now there’s a murder mystery. The plot is a bit of a stretch, but the characters and their relationships work well. Trey detests Johnny for not being in her life, and now that he’s back, she neither wants nor needs him. She gets on much better with Cal. Still, she’s a testy teenager when she thinks someone is not treating her like an adult. Cal is aware of this, and he’s careful how he talks to her. Johnny, not so much: “I swear to fuck, women are only put on this earth to wreck our fuckin’ heads,” he whines about Trey’s mother, briefly forgetting he’s talking to Trey. The book abounds in local color and lively dialogue.
An absorbing crime yarn.Pub Date: March 5, 2024
ISBN: 9780593493434
Page Count: 480
Publisher: Viking
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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SEEN & HEARD
by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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