by David E. Stannard ‧ RELEASE DATE: April 11, 2005
Completely captivating.
A fascinating slice of Hawaiian history, investigated with scholarly rigor by Stannard (American Studies/Univ. of Hawaii; American Holocaust, 1994, etc.).
Around one a.m. on September 13, 1931, Thalia Fortescue Massie, daughter of an East Coast socialite and wife of a naval officer, flagged down a car on Honolulu’s Ala Moana Road. She appeared to have been beaten up and claimed that a gang of Hawaiian men had abducted and raped her. The police quickly rounded up a group of suspects. Stannard argues convincingly that the men were innocent. The doctors and nurses who examined Massie believed she hadn’t been raped at all, the defendants had an airtight alibi and Massie’s testimony was clearly coached. The men’s trial resulted in a hung jury. Massie’s mother and husband then had one of the suspects killed. When arrested, Mom hired none other than Clarence Darrow as her lawyer. The trial became a national spectacle. Many Americans sided with the defendants: a white woman had been debased, and her mama and hubbie did the right thing. (Stannard points out that trumped-up rape charges and lynchings were not uncommon in Jim Crow America.) Despite Darrow’s storied eloquence, the defendants were found guilty of manslaughter, but the territorial governor soon commuted their sentence. Stannard’s suspenseful retelling is paced like the best paperback thriller—no wonder PBS is airing a documentary about the case on The American Experience in the same month as the book’s publication. More to the point, this is important, nuanced history that sheds light on the history of imperialism, race, criminology and gender. In Stannard’s view, the consequences of the Massie case were historic: nonwhites in Hawaii were bitterly alienated by its blatant injustice, and “cracks started to appear in what for years had been a monolithic social order.” One minor quibble: It is unfortunate that there are no illustrations.
Completely captivating.Pub Date: April 11, 2005
ISBN: 0-670-03399-5
Page Count: 448
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2005
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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