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SHERMAN'S HORSEMEN

UNION CAVALRY OPERATIONS IN THE ATLANTA CAMPAIGN

A vivid account of the campaign that helped decide the outcome of the Civil War. Evans provides a comprehensive study of the role of the cavalry in Sherman's coordinated assault on Atlanta in 1864, involving three federal armies that swept in from the west through Alabama and Georgia. Those armies left a horrible wake of damage in their path, and they suffered horribly as well. Evans writes of their work with a keen eye for detail, describing the confusion of the battlefield and the bloody aftermath of a cavalry engagement, with ``horses sprawled glassy-eyed and still, the flies already swarming over torn bodies and protruding entrails.'' (He is also capable of humor, recounting the tale, for instance, of a Southern woman who protested that the raiders who had come to her farm couldn't possibly be Yankees because they didn't have horns. ``We are young Yankees, our horns haven't sprouted yet,'' replied a Union soldier.) Along the way Evans provides portraits of individual cavalry officers, like Maj. Gen. George Stoneman, the hard-driving Lt. Col. Fielding James, and the ``capable but unstable'' Brig. Gen. Edward McCook. Evans paints a sympathetic portrait of Sherman, who wrote to his wife during the campaign, ``I begin to regard the death and mangling of a couple thousand men as a small affair,'' and who confessed to a fellow officer, ``Grant don't care a damn for what the enemy does out of his sight, but it scares me like hell!'' Evans notes that Sherman broke with the usual strategic practice of using cavalry to support infantry assaults, instead launching his horsemen on lightning raids against the Southern armies. He also suggests, provocatively, that Sherman might have abandoned the Atlanta campaign after a series of defeats, had the city not surrendered. A rich narrative that will delight students of the Civil War. (39 b&w photos, 15 maps, not seen) (History Book Club main selection)

Pub Date: Sept. 1, 1996

ISBN: 0-253-32963-9

Page Count: 688

Publisher: Indiana Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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