In a unique slant on a typical homework assignment, Getz (Frozen Man, 1994, etc.) and newcomer Rex send a girl to incredible heights for her art project—outer space. When Maxine is instructed to look at her home in a new way, she leaves school and keeps on walking. Inside the Kennedy Space Center, she suits up; her outfit includes a diaper, two kinds of underwear (one to keep her warm, the other to cool her down), and a large orange pressure suit, all of which are wittily captured in Rex's acrylic illustrations. Feeling like a 100-pound duck in a diaper, Maxine takes a fantastic journey into space, where fun facts about weightlessness and rockets are interwoven into her personal account of take-off (the noise is like ``a thousand thousand lions roaring! Like the heart of an immense raging fire. Roar!''), flying upside down at dizzying speeds, witnessing hurricanes, shooting stars, and the earth from space, where ``somebody had forgotten to draw the lines.'' What begins as a contrivance catapults readers into an animated, aeronautical adventure and an entertaining look at the science of space travel; it ends as a visionary paradigm for a peaceful planet. (Picture book. 5-9)
Pub Date: March 1, 1997
ISBN: 0-8050-4497-3
Page Count: -
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
A trite, knock-off sequel to Jumanji (1981). The “Jumanji” box distracts Walter Budwing away from beating up on his little brother Danny, but it’s Danny who discovers the Zathura board inside—and in no time, Earth is far behind, a meteor has smashed through the roof, and a reptilian Zyborg pirate is crawling through the hole. Each throw of the dice brings an ominous new development, portrayed in grainy, penciled freeze frames featuring sculptured-looking figures in constricted, almost claustrophobic settings. The angles of view are, as always, wonderfully dramatic, but not only is much of the finer detail that contributed to Jumanji’s astonishing realism missing, the spectacular damage being done to the Budwings’ house as the game progresses is, by and large, only glimpsed around the picture edges. Naturally, having had his bacon repeatedly saved by his younger sibling’s quick thinking, once Walter falls through a black hole to a time preceding the game’s start, his attitude toward Danny undergoes a sudden, radical transformation. Van Allsburg’s imagination usually soars right along with his accomplished art—but here, both are just running in place. (Picture book. 6-8)
Pub Date: Oct. 28, 2002
ISBN: 0-618-25396-3
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An enigmatic, quirky representation of an active imagination in search of understanding and companionship.
A child finds connection to the world all around in this Korean import.
The illustrations in this unusual picture book achieve a 3-D effect reminiscent of claymation. The opening scene shows an aerial view of a playground scattered with maple and gingko leaves; a tethered dog watches a child aiming at marbles. Accustomed to spending time alone and solitary play, Tong Tong’s fertile imagination infuses a bag of assorted spherical hard candies with powers that give voice to unlikely speakers, such as the living room sofa and Marbles the old dog, each speaking with Tong Tong to share a sentient perspective. The hard candies also channel the tough love hidden within Tong Tong’s father and Grandma’s bubbly, reassuring voice emanating from another realm. The candies’ magic reveals yet another dimension when Tong Tong is drawn outdoors to witness nature’s beauty as copious falling leaves bid farewell to the season. Through these uncanny exchanges, Tong Tong not only makes surprising discoveries, but also delves into complex emotions, celebrates a continuing relationship with Grandma, and takes courageous steps toward a tantalizing conclusion. The enhanced artwork establishes depth and perspective, featuring details some may find initially unsettling—along with the cryptic, open-ended narrative. That said, depictions of facial expressions are skillful and endearing, and the interplay between text and illustrations will cause readers to linger and ponder.
An enigmatic, quirky representation of an active imagination in search of understanding and companionship. (Picture book. 6-9)Pub Date: Sept. 1, 2021
ISBN: 978-1-5420-2959-9
Page Count: 48
Publisher: Amazon Crossing Kids
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
BOOK REVIEW
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