Next book

THE NORMALS

Gilbert’s intelligence and verbal dexterity don’t count for much, unharnessed to theme or plot.

A meandering first novel tracks the experiences of participants in a drug story.

The two-week study, in August 1999, is seen through the eyes of narrator Billy Schine, a 28-year-old Harvard graduate with a problem: He owes sixty grand in student loan repayments, and Ragnar is hot on his trail in Manhattan. Billy has never met Ragnar, the collection agency guy, but he has lurid fantasies about him. It’s time to skip town, so feckless Billy abandons his live-in girlfriend Sally and his temp job as a word processor and heads upstate to the medical research center. There, along with other “normals” (healthy, allergy-free types), he will be tested for reactions to an anti-psychotic drug. But where is the novel headed? Will it be a medical thriller? There’s only a taste of that, at the end. Black comedy? There’s sophomoric kidding around, but that doesn’t qualify. How about Billy’s existential drama? He’s an outsider and underachiever, the product of parents who doted solely on each other; now his mother has Alzheimer’s and his father is arranging for them to die together on their wedding anniversary. Yet Billy remains a lightweight. When the study is over and he has the chance to be the subject of an off-the-books, potentially lethal experiment, Billy jumps at it. Why? He has no good answer. By default, then, this is a novel about some guys hanging out: swallowing their pills, giving their blood, swapping war stories of life on the guinea-pig circuit, and watching way too much television. For good measure, Gilbert (the collection Remote Feed, 1998) throws in a delusional roommate subdued by security; some unlikely animal rights activists; and a lone female patient, Gretchen, who makes full use of all the available men. Her mission statement, incidentally, makes more sense than anything Billy has to say for himself.

Gilbert’s intelligence and verbal dexterity don’t count for much, unharnessed to theme or plot.

Pub Date: Oct. 1, 2004

ISBN: 1-58234-456-6

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview