bookshelf

MIDNIGHT IN SIBERIA

Name: MIDNIGHT IN SIBERIA
Author: David Greene
ISBN: 978-0-393-23995-9

A TRAIN JOURNEY INTO THE HEART OF RUSSIA

by David Greene ‧ RELEASE DATE: Oct. 20, 2014

Glowing in its profound affection for the Russian people, an affection Greene convinces readers to share.

bookshelf

A former Russia correspondent for NPR ends his gig by taking a train across Siberia, generating new experiences and remembering earlier ones.

Greene, who’s still with NPR as a host with Morning Edition, debuts with a journey that is personal and emotional, both actual and metaphorical. He begins by explaining his history with Russia: He and his significant other, Rose, moved there in 2009; the inability to speak or understand Russian remained an issue for both of them—but one they were able to surmount with the aid of Sergei, a translator who became one of the author’s best friends. During his journey of thousands of miles (Rose was with him only temporarily), Greene tells us about the hassles of traveling (security agents shadowing them), the explicit and tacit rules for behavior on trains, the charms of traveling third class (as circumstance occasionally forced them to do), and the people they encountered—both on the train and in the communities where they stopped. Greene had met some during other reporting excursions; others were strangers who shared rail compartments, managed hotels and drove public transportation. But traveling also provided Greene an opportunity to recall important experiences throughout his life. He recalls an intense conversation about hockey, a visit to a Holocaust memorial and a series of low points in his journalism career. In addition, the author offers quite a few quotations from other travelers and from Russian writers—Chekhov appears more than once. He also speculates continually about the Russian character: What do they really think about Vladimir Putin? Why does there seem to be lingering nostalgia for Stalin? How do they manage to deal with the almost Kafkaesque aspects of the Russian bureaucracy?

Glowing in its profound affection for the Russian people, an affection Greene convinces readers to share.

Pub Date: Oct. 20, 2014

ISBN: 978-0-393-23995-9

Page Count: 320

Publisher: Norton

Review Posted Online: July 12, 2014

Kirkus Reviews Issue: Aug. 1, 2014

Categories:

GENERAL NONFICTION

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.