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MR. MERGLER, BEETHOVEN, AND ME

A heartwarming story about the magic of music, intergenerational relationships, and believing.

A young Chinese girl and an elderly white man develop a bond through a shared love of music.

Moving to a new neighborhood or city is tough enough. Moving to a new country where you don’t speak the language is even more daunting. Not long after the narrator arrives in Montreal from China, she meets Mr. Mergler at a nearby park. When he asks her to sing her favorite song for him, he recognizes her aptitude for music and offers to give her piano lessons. Under Mr. Mergler’s patient tutelage, the narrator quickly learns to decipher the notes on the page into music. “My fingers began to fly, and so did my lessons.” Mr. Mergler isn’t the only one keeping track of her progress. The narrator imagines that Beethoven, or rather a bust of the famous composer, shows his approval (or lack thereof) from his perch atop Mr. Mergler’s piano. Barely six months later, the elderly piano teacher is too weak to teach anymore. Upon his death, he leaves his “star pupil” a poignant letter and a precious gift. Cinq-Mars’ delicate sketches, hand-drawn in color pencil, frame Gutnick’s quiet text with charm and whimsy. The affection between the narrator and her teacher, as well as within her family, is palpable. An author’s note reveals that Mr. Mergler was a real, longtime piano teacher in Montreal and provides a biographical sketch of Beethoven.

A heartwarming story about the magic of music, intergenerational relationships, and believing. (Picture book. 4-9)

Pub Date: March 13, 2018

ISBN: 978-1-77260-059-9

Page Count: 32

Publisher: Second Story Press

Review Posted Online: Dec. 5, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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THE BIG CHEESE

From the Food Group series

From curds to riches, from meltdown to uplift—this multicourse romp delivers.

A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.

From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.

From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)

Pub Date: Nov. 7, 2023

ISBN: 9780063329508

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 26, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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