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NOW YOU SEE THEM, NOW YOU DON'T

POEMS ABOUT CREATURES THAT HIDE

An attractive, informative blend of science and the arts.

Nineteen different animals, placed in five animal categories, are represented first by artwork and poetry and finally by brief paragraphs and references for further reading.

The poems are graceful and often humorous, giving good introductions to the reasons behind each animal’s protective coloration. The illustrations, which involve “drawing, cutting, painting, and gluing,” likewise effectively convey how camouflage works, without pretense of photorealism. The categories—sea life, reptiles and amphibians, mammals, insects and spiders, and birds—reveal a wide variety of animals, from ghost crab to Bengal tiger, walking stick to hawk. An especially funny but accurate poem is the double-page spread about the copperhead, whose letter to “Mr. Vole” is full of sibilance, reinforced in a literal sense: “Find me / if you can, / my sssskin / deceivessss, / helpssss me / dissssappear.” The accompanying art shows the mottled, coppery serpent under a scattering of autumn leaves. In contrast, a fawn hides, scentless, “saved by fawny / polka dots / that blend with / gentle sunny spots.” The text educates young readers about useful camouflage for predators and for prey, without resorting to anything truly disturbing. Other than a “buzzy fly” becoming “fast food” for a spider and some tiny fish disappearing, predators are shown as merely threatening, and prey are shown as successfully hiding. Endnotes, cover, and layout all add to a thoughtful, well-executed book.

An attractive, informative blend of science and the arts. (Informational picture book/poetry. 5-10)

Pub Date: Feb. 16, 2016

ISBN: 978-1-58089-610-8

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Nov. 16, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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THE HONEYBEE MAN

Tell it to the bees. The ancient art of beekeeping is alive and well in Brooklyn, N.Y. Fred is dedicated to his bees and greets them each morning on his rooftop. He has named the queens Mab, Boadicea and Nefertiti, after legendary historic figures; the bees are his “sweeties” and his “darlings.” He hums with them as they swarm and flies with them in his imagination as they search for the most fragrant flowers. When the time is right, he carefully gathers their honey, jars it, shares it with his neighbors and, of course, savors some of that luscious honey himself. Nargi’s descriptive language is filled with smell and sound and sight, carrying readers right up to that rooftop with Fred, while seamlessly interweaving detailed information about beekeeping. An afterword of “amazing facts” explains more about apiarists, bees’ life cycles and more, all in light, easy-to-understand syntax. Brooker’s oil-and-collage illustrations, appropriately rendered in greens and browns, golds and ambers, enhance the text beautifully. They accurately depict Fred’s and the bees’ actions while creating a stylized, fanciful view of a homey Brooklyn neighborhood, complete with a view of the Brooklyn Bridge. Even the endpapers are integral to the work, presenting labeled diagrams of bees and beekeeping materials. Eccentric and unusual with an appealing, gentle charm. (Picture book. 5-10)

Pub Date: March 8, 2011

ISBN: 978-0-375-84980-0

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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