A collection of poetry focuses on everyday beauty and wonder.
Over the course of 50 poems with straightforward titles, retired high school English teacher Hathwell (Between Dog and Wolf, 2017, etc.) explores the world around him. Nature is a touchstone of his poetry. In “Poplar,” he expertly describes the titular tree “catching a breeze, flutter sage and silver wings” while in “Sunflower,” he lingers on the “wide blank face” of the “saddest flower.” The author also showcases culture in his poems. “Fred’s Girl” is a propulsive ode to the Fred Astaire–Paulette Goddard duet in the film Second Chorus, and “Sunday at the Symphony” captures the ethereal experience of live classical music. But the poems aren’t limited to the author’s immediate surroundings. A visit to the Spanish Steps, where Keats died in 1821, is the subject of “Readiness Is Everything,” which encourages readers to “imagine the world without you.” Hathwell plays with humor in “Dust Is Winning,” about the futile fight to keep things clean, and shows his cynical side in “Red Dress,” which describes the “ruby radiance” of an ensemble depicted in advertising. The act of writing is another recurring theme in this collection. “Song” depicts a successful writing day, in which “I rise from my desk, / Majestic, and I dance,” while “Sure Thing” warns readers “that language is prepared to lie / When you ask it to.” Quiet moments are also rich material for the poet. Throughout, he matches his message to the pacing of the poem, creating an immersive experience for readers. In “Finding Myself in the Morning,” readers sink into Hathwell’s serene, solitary scene where he can finally “not wonder / who is speaking, or what comes next.” In “Ten O’Clock,” the audience can sense the descent into a “deep, forgiving sleep.” The one flaw of this collection is its breadth. Because everything from Astaire to flora is fair game, the individual poems don’t always flow from one to the next, and transitions can be jarring.
A volume of ambitious and engaging poems.