A brilliant, knockout collaboration—one that will continue to excite, provoke, and engage kids and their grown-ups.
Iconic British postwar realist painter Hockney and art critic Gayford have reimagined their art-history survey for adults, A History of Pictures (2016), with judicious, kid-friendly editing, inventive design, clever pacing, smart and spot-on examples, and the bright, fresh illustrations of fellow Brit Blake.
Best experienced as a practiced and delightfully immersive conversation between friends who love to think, talk, argue, teach, and most of all, really look at pictures and make art, this edition includes eight well-organized and provocatively themed chapters, ranging from “making marks” to “light and shadows,” from “mirrors and reflections” to photography, movies, and, finally, computer art. (Hockney is both an expert on lenses as painting tools used by the Old Masters and a modern master of iPad paintings.) Blake’s contributions on each page act as a visual descant of sorts, adding notes of color and whimsy. A winding path takes cartoon characters (all white) from The Last Supper to Nighthawks to demonstrate their storytelling similarities, for instance. Her abundant full-page and spot art includes portraits of the artist and the critic exploring the real world and the world of art. Hockney’s famous dogs, Stanley and Boodgie, also have cameos. Examples are heavy on the Europeans, but select East Asian examples expand the scope somewhat.
A brilliant, knockout collaboration—one that will continue to excite, provoke, and engage kids and their grown-ups. (timeline of inventions, glossary, notes, bibliography, list of illustrations, index) (Nonfiction. 10-14)Pub Date: Oct. 2, 2018
ISBN: 978-1-4197-3211-9
Page Count: 128
Publisher: Abrams
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Aug. 15, 2018
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Hot on the heels of the well-received Leonardo da Vinci (2005) comes another agreeably chatty entry in the Giants of Science series. Here the pioneering physicist is revealed as undeniably brilliant, but also cantankerous, mean-spirited, paranoid and possibly depressive. Newton’s youth and annus mirabilis receive respectful treatment, the solitude enforced by family estrangement and then the plague seen as critical to the development of his thoughtful, methodical approach. His subsequent squabbles with the rest of the scientific community—he refrained from publishing one treatise until his rival was dead—further support the image of Newton as a scientific lone wolf. Krull’s colloquial treatment sketches Newton’s advances in clearly understandable terms without bogging the text down with detailed explanations. A final chapter on “His Impact” places him squarely in the pantheon of great thinkers, arguing that both his insistence on the scientific method and his theories of physics have informed all subsequent scientific thought. A bibliography, web site and index round out the volume; the lack of detail on the use of sources is regrettable in an otherwise solid offering for middle-grade students. (Biography. 10-14)
Pub Date: April 1, 2006
ISBN: 0-670-05921-8
Page Count: 128
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2006
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