A short introduction to an imaginary language that’s close enough to English to raise some fun questions.
A whimsical dictionary of a not-quite-real language.
Debut author Catchpoole’s slight, playful solo debut purports to be a dictionary of “Hoptanglish,” the language spoken in the “distant, foreign place” of Hoptanglia. There, some basic concepts of English sound, syntax, and meaning have taken on new forms to fit new functions, because, as the author says, “Language…is more than a vocabulary or grammar; it is a consciousness of connection to other speakers.” As Catchpoole takes readers from A to Z, it’s immediately apparent that there’s a loose, slurry logic at work in the sounds of the words and their pithy definitions. “Avocadive,” for example, is an adjective that means “reminiscent of the taste, smell or texture of avocados,” and “Ludicurious” is an adjective meaning “intrigued by comical incongruities.” In all such cases, readers will immediately understand the derivations of these new words and grasp their weird but vaguely on-point tone; at times, fans of the TV show The Simpsons may be reminded of a classic 1996 episode in which characters use the nonwords “embiggen” and “cromulent” to similar effect. However, Catchpoole often balances the simple farce of wordplay with Hoptanglish words designed to provoke deeper thought. “Meandereaning,” for instance, means “meaning without purpose” (derived from “meander” and “meaning”), and “Specifelicity” means “elation from precision.” Not all of the author’s words derive from their English near-cousins (“subvive,”for example, meaning “to die, but only just,” comes from the Latin sub and vivere), but enough of them do to preserve the function of Hoptanglish as a running commentary on the nature of English in an uncertain age (“Swayline,” for example, means “the edge of conviction”). Fans of such venerable works as Ambrose Bierce’s The Devil’s Dictionary will recognize this book as a direct, if very lightweight, ideological descendant.
A short introduction to an imaginary language that’s close enough to English to raise some fun questions.Pub Date: Dec. 14, 2016
ISBN: 978-0-9953943-0-8
Page Count: 42
Publisher: Zafferona Press
Review Posted Online: March 1, 2017
Kirkus Reviews Issue: April 1, 2017
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
