Striking, memorable imagery—a lost hat enjoying a new life as a bird’s nest, the mystery of a cicada’s molted...
A combined picture-book biography and brief anthology of poems by Japan’s foremost 20th-century poet for children.
In her brief life, Misuzu Kaneko wrote and published hundreds of poems exploring the feelings of snowflakes and sardines, whales and birds. After her death, though her work was translated into many other languages, Misuzu’s poetry fell into obscurity in Japan, revived only following the 2011 earthquake and tsunami that devastated Tohoku. The biographical portion of the book, by journalist Jacobson, covers Misuzu’s triumphs and tragedies, incorporating 10 poems that reflect her interest in the natural world and her gift for investing creatures and inanimate objects with unique perspectives. This section also sensitively addresses Misuzu’s suicide at age 26, following the swift progression of a then-untreatable sexually transmitted infection contracted from her husband. The second half of the book, which can be read along with the biography or separately, comprises 15 more of Misuzu’s poems—presented in both the original Japanese and in translation—accompanied by warm, thematically related illustrations. Each brief poem addresses nature, children’s observations, or both, in language that will be both accessible to the youngest readers and thought-provoking for adult caregivers.
Striking, memorable imagery—a lost hat enjoying a new life as a bird’s nest, the mystery of a cicada’s molted husk—guarantees fruitful rereadings for readers of all ages. (Picture book/poetry/biography. 6-11)Pub Date: Sept. 13, 2016
ISBN: 978-1-63405-962-6
Page Count: 64
Publisher: Chin Music Press
Review Posted Online: July 19, 2016
Kirkus Reviews Issue: Aug. 1, 2016
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
A succinct, edifying read, but don’t buy it for the pictures.
Abraham Lincoln’s ascent to the presidency is recounted in a fluid, easy-to-read biography for early readers.
Simple, direct sentences stress Lincoln’s humble upbringing, his honesty, and his devotion to acting with moral conviction. “Lincoln didn’t seem like a man who would be president one day. But he studied hard and became a lawyer. He cared about people and about justice.” Slavery and Lincoln’s signature achievement of emancipation are explained in broad yet defined, understandable analogies. “At that time, in the South, the law let white people own black people, just as they owned a house or a horse.” Readers are clearly given the president’s perspective through some documented memorable quotes from his own letters. “Lincoln did not like slavery. ‘If slavery is not wrong,’ he wrote to a friend ‘nothing is wrong.’ ” (The text does not clarify that this letter was written in 1865 and not before he ascended to the presidency, as implied by the book.) As the war goes on and Lincoln makes his decision to free the slaves in the “Southern states”—“a bold move”—Lincoln’s own words describe his thinking: “ ‘If my name ever goes into history,’ Lincoln said, ‘it will be for this act.’ ” A very basic timeline, which mentions the assassination unaddressed in the text, is followed by backmatter providing photographs, slightly more detailed historical information, and legacy. It’s a pity that the text is accompanied by unremarkable, rudimentary opaque paintings.
A succinct, edifying read, but don’t buy it for the pictures. (Informational early reader. 6-8)Pub Date: June 20, 2017
ISBN: 978-0-06-243256-8
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
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