A highly recommended historical tale that will make readers hope that the good doctor has more novels in him.
In Kerns’ (Standard of Care, 2007) latest novel, a student learns much more than obstetrics during a baptism by fire on Chicago’s West Side in the fateful spring of 1968.
Every med student in Northwestern University’s program must spend two weeks at the Chicago Maternity Center, whose mission is to serve a deeply poor, predominantly African-American area of the city, overseeing pregnancies and delivering babies. The students are pushed to their physical limits, and some are scared about working in a potentially threatening neighborhood—and about their own competence as doctors. Nick Weissman, a Jewish-American student, is flush with idealism and liberal political views; he’s tested while earning the trust of Blossom Amos, a sullen, withdrawn 14-year-old African-American girl pregnant with twins. A parallel storyline follows the notorious James Earl Ray, who escapes from a Missouri prison, travels all across the South and eventually to Memphis—the site of his assassination of the Rev. Martin Luther King Jr., which sets off horrific riots in Chicago and elsewhere. In this chaos, Nick and the others are about to evacuate for their own safety. Then comes word that Blossom is in labor, and Nick makes a fateful decision to help her, against all odds. Kerns is an engaging writer who gives the story such momentum that it fairly gallops to its conclusion. He also effectively draws on aspects of his own life, including two weeks that he spent working at the Chicago Maternity Center in real life; all of the novel’s gritty details ring as true as they should. Some elements are fictional, though, such as the Abrafo, which is said to be the most terrifying of the local African-American gangs. Also, Nick and James Earl Ray never meet—but the fact that they serve as vectors of good and evil makes for an inspired plot device.
A highly recommended historical tale that will make readers hope that the good doctor has more novels in him.Pub Date: Feb. 7, 2018
ISBN: 978-0-9966765-3-3
Page Count: 256
Publisher: Bay Tree Publishing
Review Posted Online: July 31, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Review Program: Kirkus Indie
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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