For those who appreciate dark humor and off-the-wall plots.

Blood Is Thicker Than Death

A torrid affair between co-workers is the start of a rather convoluted plan to assassinate a dictator who has taken over a northern country in Kritzwiser’s debut black comedy.

The farcical story begins with Moira asking her new lover, Walter, to kill her husband and her father-in-law. Moira’s father-in-law is the Extreme Minister, a tyrant from a country sometimes referred to as the Mythical Kingdom, who banished the former Queen from England. Moira and Walter work at a company called Field Crown; it turns out their boss, Duke, wants the EM dead too. The company, which manufactures fabricated news stories for the EM’s benefit, is really a CIA front, and Duke offers to help Moira and Walter to assassinate the Extreme Minister. Despite a plot dealing with a political assassination, Kritzwiser’s novel is a flat-out comedy. The sexual trysts between Moira and Walter, for instance, which monopolize the first half of the book (if they aren’t having sex, they’re talking about it), are often detailed with campy, explicit language, like the couple’s sexual bout that ends with “an earthquake of superman fury.” And when various agencies step in to either thwart or facilitate the potential assassination, it’s a satirical bowl of alphabet soup, including the RCMF (Righteously Cooperative Military Force), the CESA (Community Employment Security Agency) and the CSIA (Complete Service and Intelligence Agency). Walter’s love of older films and his associating them with his real life can sometimes overwhelm the plot: He cites movies that depict his moods after they’ve already been amply described. The country’s actual name is never uttered, but Kritzwiser drops enough clues that readers can surmise—the U.S. is just south, and Walter’s weapon of choice for the assassination is a hockey stick (for a beheading, no less), prized because it once belonged to Bobby Hull, a well-known Canadian hockey player. For good measure, there’s a mole and endless double and triple crossings.

For those who appreciate dark humor and off-the-wall plots.

Pub Date: Dec. 30, 2013

ISBN: 978-1490920238

Page Count: 478

Publisher: CreateSpace

Review Posted Online: March 25, 2014

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.


Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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