An engaging thriller that successfully explores the implications of a wicked curse.
A nature photographer stumbles upon an ultra-rare black orchid—and a deadly curse—in the first installment of Haase’s (Hotel Constellation, 2018) supernatural-thriller series.
The third wealthiest man in the United Arab Emirates gave American Sebastian Arnett instructions to photograph “the most beautiful, the most delightful, the most interesting” orchids on the Southeast Asian island of Borneo. There, Sebastian meets Australian Johnnie Walker in a bar and reluctantly accepts the stranger’s invitation to accompany him and his friends on weekend vacations inland. Sebastian, a heavy drinker who’s still mourning the death of his wife four years ago, thinks that the outings might provide him with opportunities to find more orchids. On the group’s fifth trip, they stop in a village where a mysterious, white-haired Dyak woman presents Sebastian with an extremely rare black orchid. The silent woman leads the group to an area to find more, where Sebastian receives a dart to his cheek. When he wakes up in a bamboo hut a week later, he’s shocked to find the severed heads of his travel companions, a tattoo of a spiderweb on his face, and, most disturbingly, the ability to kill people with his mind. Haase builds a compelling narrative, interweaved with poems and supernatural elements. At one point, an ethnologist tells Sebastian that “the spider web tattoo...houses a powerful spider spirit that requires occasional sacrifices to keep it content.” Various government operatives seek Sebastian out, which provides opportunities for effective meditations on military systems, as when a U.S. Marine tells Sebastian, “We talk about defending our country, but the reality is the way we do that is to kill the other guy before he kills us.” The story also features an intriguing cast, including Amanda Cox Campion, Sebastian’s love interest; and Chief Kahvah Att-un-poon-a-woon-ah, a Native American medicine man who tries to help the photographer battle the spirit. However, Sebastian’s actions will alienate readers at times; for example, he twice refers to the Native American chief as “William Walks-With-Something-or-Other,” and, at one point, he sleeps with the widow of a man that his demonic spirit killed.
An engaging thriller that successfully explores the implications of a wicked curse.Pub Date: Aug. 15, 2018
ISBN: 978-0-9994847-3-9
Page Count: 334
Publisher: C. Lawrence Publishing
Review Posted Online: Oct. 31, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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