Begins with promise, but characters are reduced to clichés by overly simplistic conflicts.
A federal antipoverty worker finds his job on the line with the arrival of a new boss.
Michael Napolitano works as at the Survival Center, a service agency that provides food and goods to local low-income families in rural Massachusetts. Despite earning wages so low that he jokingly refers to himself as a volunteer, Napolitano enjoys his job and finds the work rewarding. With the arrival of new executive director Mr. Prince, however, Napolitano soon discovers an ugly side of the nonprofit world. In addition to being completely ambivalent to the center’s philanthropic goals, Prince reeks of cheap cologne and eagerly throws around racial slurs. When Prince refuses to give bread to an elderly woman who arrives after the official closing time, the situation sparks a heated confrontation between Prince and Napolitano that ultimately leads to the director firing Napolitano. Shocked by his rapid dismissal, Napolitano struggles to maintain normalcy by starting a new job, discussing politics with his friends and pursuing an unlikely romance with a beautiful woman. Finally he seeks the advice of Sarah, the beloved former director at the center, and discovers a nefarious secret about Prince’s past. While the book accurately depicts the disparities that can arise between nonprofit workers and the bureaucrats financing them, it reduces these characters to two-dimensional caricatures. As a sarcastic Italian-American with a stutter and a soft spot for doughnuts, Napolitano makes for a likable hero, but his inability to communicate reasonably with bosses and board members he dislikes is unrealistic and would result in any employee being fired. Similarly, the book contains cartoonishly evil villains who seem bent on closing or relocating the center for no apparent reason. By the time Napolitano enlists the help of a cowboy from the West Coast to rough up the director and restore order to the center, readers will have already drifted from the increasingly ridiculous plot.
Begins with promise, but characters are reduced to clichés by overly simplistic conflicts.Pub Date: Oct. 21, 2010
ISBN: 978-1452812427
Page Count: 162
Publisher: CreateSpace
Review Posted Online: May 12, 2011
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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