Grim, disturbing explorations of the way in which lust and loneliness can destroy the possibility of love, by the author of two story collections (including A Place I've Never Been, 1990) and three novels (While England Sleeps, 1993, etc.). In ``The Wooden Anniversary'' Nathan and Celia are reunited after a five-year separation, and almost immediately misunderstand one another again. Celia, desperately in love with Nathan (who is gay) for many years, having finally pried herself away from him, has lost weight, gotten a husband, and become the proprietress of a successful cooking school in Tuscany. Nathan, ``world weary and travel worn,'' becomes infatuated with Mauro, Celia's handsome young Italian chef, and out of simple lust, or boredom (and, perhaps, with the masochistic Celia's unconscious assistance) sets a devastating farce in motion. ``Saturn Street'' concerns Jerry, a young, deeply disaffected writer in Los Angeles who finds himself increasingly attracted to Phil, handsome, blithe, and dying of AIDS. Leavitt chillingly captures the sense of a devastated gay community in which everyone now ``operates from fear.'' ``The Term Paper Artist,'' the most troubling of the three novellas, plays some unsettling games with fact and fiction. The narrator, ``David Leavitt,'' having been sued by an English poet for passages in his novel While England Sleeps, goes home to California, where he receives a bizarre offer from the handsome, amoral, heterosexual college-age son of family friends: He'll allow David to perform a sex act with him, if he writes a term paper of vital importance. David does so, word circulates, and he finds himself besieged by a variety of straight college boys willing to strike a similar bargain. There's an alarming sense of self-laceration in all this, not much redeemed by the suggestion that the sex (and the research on the papers) somehow stimulates David's hitherto exhausted creative energy. Sad tales of anomie and of confused, contradictory quests for love. (Author tour)
Pub Date: April 3, 1997
ISBN: 0-395-83704-9
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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