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THE INDIAN CLERK

Not a perfect novel, but easily Leavitt’s (The Man Who Knew Too Much: Alan Turing and The Invention of The Computer, 2006,...

The certainty attributed to mathematics is richly contrasted to the uncertainty of human relationships in Leavitt’s unusual and absorbing eighth novel.

It’s based on the lives of historical figures, British mathematician G.H. Hardy, a Fellow of Cambridge University’s Trinity College, and the unschooled mathematical “genius” who in 1913 writes Hardy an importunate letter, identifying himself as an obscure accounts clerk in Madras, India. Inferring from its content that the letter writer, Srinivasa Ramanujan, may be on the way to proving “the Riemann Hypothesis” (a paradoxical theory regarding the integrity and interrelatedness of prime numbers), Hardy arranges to bring Ramanujan to Cambridge, and thereafter becomes de facto mentor to the withdrawn, barely sociable young immigrant—a devout Brahmin. In a parallel narrative emerging from lectures that Hardy composes and delivers at Harvard University in 1936, the entire span of his spartan, lonely life (as a long-inexperienced homosexual) is revealed in the contexts of his relationships. The novel, which may remind readers of Julian Barnes’s Arthur and George, perhaps bites off more than it can chew. But it’s impressively researched, insistently readable and keenly sensitive to the ordeal of World War I and the fears of a nation and a culture aware that all that humans have achieved may be blithely obliterated.

Not a perfect novel, but easily Leavitt’s (The Man Who Knew Too Much: Alan Turing and The Invention of The Computer, 2006, etc.) best—and a heartening indication that this uneven writer has reached a new level of artistic maturity.

Pub Date: Sept. 14, 2007

ISBN: 978-1-59691-040-9

Page Count: 496

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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