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How Sunset Boulevard made film history by reflecting on Hollywood’s past.

Widely considered the finest Hollywood film about Hollywood, director Billy Wilder’s Sunset Boulevard (1950) rose out of crisis. Wilder’s two previous movies had flopped, the studio system was crumbling, a crackdown on Hollywood leftists was underway, and the growth of television threatened the film industry. Amid this turmoil, Wilder and his team fashioned a quirky film about an aging film star, a desperate young screenwriter, and the disfiguring effects of what author Lubin calls the dark side of the Hollywood dream. Wilder’s project was by no means a safe bet. With its irreverent script, mordant humor, and edgy sensibility, Sunset Boulevard jumped between genres and lampooned the industry that produced it. Yet Lubin’s capsule biographies of the film’s principals reveal how the project came together and made cinematic history. Wilder’s early years in Vienna and Berlin are vividly recounted, as are the remarkable careers of Gloria Swanson and Erich von Stroheim. Producer and screenwriter Charles Brackett, actor William Holden, and supporting actress Nancy Olson are given their due. So are Hedda Hopper, Buster Keaton, and Cecil B. DeMille, whose appearances in the film helped blur the line between past and present, art and real life. Lubin keeps the film, its creators, and its reception in sharp focus and displays a knack for concise analysis. Sunset Boulevard was a movie “about has-beens and also-rans, about failed comebacks, misguided dreams, and murderous delusions.” Yet it was made by “a raft of exceptionally creative individuals, all at critical junctures in their careers, several of them playing roles that seemed drawn from their actual lives.” Deeply informed but never pedantic, this book shows how Wilder and his team turned Hollywood's midcentury crisis into film history.

A deft account of a Hollywood classic.