by David Macaulay with Sheila Keenan & illustrated by David Macaulay ‧ RELEASE DATE: Sept. 18, 2012
And will a young scholar read it again and look for more? You bet—it’s great fuel for the imagination.
Hooray for the launch of a new nonfiction series for newly fledged readers!
Macaulay’s compact, clear and engagingly illustrated explanation of how a castle is built to thwart potential intruders (you, the reader, in this case) is the right length and depth for readers who have progressed beyond beginner books. His trademark pen-and-ink lines reveal the structural purpose of each part of the medieval stone fortress, while color wash adds appeal. Clearly among the first of a series, this title is labeled "Level 4," and the sentences are just complex enough: “Beneath the ground floor is the dark, damp dungeon.” The narrative is well supported by the illustration—and vice versa: An intriguing drawing has the essential details mentioned in the accompanying passage. Readers will encounter new challenges with text set against dark backgrounds on a few pages, but the font size and line spacing are just right. The length of the book—32 pages, including glossary—seems thoughtfully calculated to bestow a sense of accomplishment. The basics get covered here in fascinating detail: the guard who stops to use the toilet; a cross section of a battering ram. Added riches: a glossary, an index and a list of resources for further study, in small type but nicely focused.
And will a young scholar read it again and look for more? You bet—it’s great fuel for the imagination. (Nonfiction early reader. 4-8)Pub Date: Sept. 18, 2012
ISBN: 978-1-59643-744-9
Page Count: 32
Publisher: David Macaulay Studio/Roaring Brook
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Megan McDonald & illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 13, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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by Megan McDonald ; illustrated by Peter H. Reynolds
by Megan McDonald & illustrated by Peter H. Reynolds
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by Caroline Adderson ; illustrated by Stéphane Jorisch ‧ RELEASE DATE: July 7, 2020
A rollicking tale of rivalry.
Sweet Street had just one baker, Monsieur Oliphant, until two new confectionists move in, bringing a sugar rush of competition and customers.
First comes “Cookie Concocter par excellence” Mademoiselle Fee and then a pie maker, who opens “the divine Patisserie Clotilde!” With each new arrival to Sweet Street, rivalries mount and lines of hungry treat lovers lengthen. Children will delight in thinking about an abundance of gingerbread cookies, teetering, towering cakes, and blackbird pies. Wonderfully eccentric line-and-watercolor illustrations (with whites and marbled pastels like frosting) appeal too. Fine linework lends specificity to an off-kilter world in which buildings tilt at wacky angles and odd-looking (exclusively pale) people walk about, their pantaloons, ruffles, long torsos, and twiglike arms, legs, and fingers distinguishing them as wonderfully idiosyncratic. Rotund Monsieur Oliphant’s periwinkle complexion, flapping ears, and elongated nose make him look remarkably like an elephant while the women confectionists appear clownlike, with exaggerated lips, extravagantly lashed eyes, and voluminous clothes. French idioms surface intermittently, adding a certain je ne sais quoi. Embedded rhymes contribute to a bouncing, playful narrative too: “He layered them and cherried them and married people on them.” Tension builds as the cul de sac grows more congested with sweet-makers, competition, frustration, and customers. When the inevitable, fantastically messy food fight occurs, an observant child finds a sweet solution amid the delicious detritus.
A rollicking tale of rivalry. (Picture book. 4-8 )Pub Date: July 7, 2020
ISBN: 978-1-101-91885-2
Page Count: 44
Publisher: Tundra Books
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
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