“So clever!” murmurs the elephant shrew, admiring himself in a mirror. No argument here.

HOW MACHINES WORK

ZOO BREAK!

A pair of would-be escapees discovers the uses and misuses of simple machines in this slapstick STEMwinder.

Bored with their confines, Sloth and Sengi (aka “elephant shrew”) concoct a series of unlikely devices designed to get them over or under the walls. With Sloth providing the muscle (when awake), Sengi proves himself a small, furry engineering genius by inventing an inclined plane, a springboard, a wedge, a winch, single and double pulleys, a tunneling auger, and more from miscellaneous found materials. Macaulay depicts each project with his customary casual exactitude and festoons them with descriptive notes. These point out significant elements such as “fulcrum” and “spur gears,” joining directional arrows and lucid explanations of how each uses mechanical advantage to redirect effort or force. Some, such as the heavy-duty gear-driven lift under a window on the front cover and a seesaw that requires assembly, are working models. With much use of flaps, pop-ups, and inset booklets, the author also expands on the comical plotline with glimpses of construction machinery, hydraulics, and several types of levers in action. He also includes simple machines in various combinations—in a bicycle, a crane, and, in a big climactic foldout, a truly Rube Goldberg–ian construct that almost works.

“So clever!” murmurs the elephant shrew, admiring himself in a mirror. No argument here. (glossary, some unattached pieces) (Pop-up fiction/nonfiction hybrid. 7-9)

Pub Date: Nov. 1, 2015

ISBN: 978-1-4654-4012-9

Page Count: 32

Publisher: DK Publishing

Review Posted Online: Oct. 6, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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A launch-pad fizzle.

THE ULTIMATE BOOK OF SPACE

Flaps and pull-tabs in assorted astro-scenes reveal several wonders of the universe as well as inside glimpses of observatories, rockets, a space suit, and the International Space Station.

Interactive features include a spinnable Milky Way, pop-up launches of Ariane and Soyuz rockets, a solar-system tour, visits to the surfaces of the moon and Mars, and cutaway views beneath long, thin flaps of an international array of launch vehicles. Despite these bells and whistles, this import is far from ready for liftoff. Not only has Antarctica somehow gone missing from the pop-up globe, but Baumann’s commentary (at least in Booker’s translation from the French original) shows more enthusiasm than strict attention to accuracy. Both Mercury and Venus are designated “hottest planet” (right answer: Venus); claims that there is no gravity in space and that black holes are a type of star are at best simplistic; and “we do not know what [other galaxies] actually look like” is nonsensical. Moreover, in a clumsy attempt to diversify the cast on a spread about astronaut training, Latyk gives an (evidently) Asian figure caricatured slit eyes and yellow skin.

A launch-pad fizzle. (Informational pop-up picture book. 7-9)

Pub Date: Sept. 1, 2016

ISBN: 979-1-02760-197-4

Page Count: 24

Publisher: Chronicle Books

Review Posted Online: Aug. 30, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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A beautifully poignant celebration of memories of a loved one that live on in those that remain.

THE SOUR CHERRY TREE

With ample emotional subtext, a young girl recalls everyday details about her beloved grandfather the day after his death.

The child bites her mother’s toe to wake her up, wishing that she could have done the same for her baba bozorg, her beloved grandfather, who had forgotten to wake up the day before. She kisses a pancake that reminds her of her grandfather’s face. Her mother, who had been admonishing her for playing with her food, laughs and kisses the pancake’s forehead. Returning to Baba Bozorg’s home, the child sees minute remnants of her grandfather: a crumpled-up tissue, smudgy eyeglasses, and mint wrappers in his coat pockets. From these artifacts the narrator transitions to less tangible, but no less vivid, memories of playing together and looks of love that transcend language barriers. Deeply evocative, Hrab’s narrative captures a child’s understanding of loss with gentle subtlety, and gives space for processing those feelings. Kazemi’s chalk pastel art pairs perfectly with the text and title: Pink cherry hues, smoky grays, and hints of green plants appear throughout the book, concluding in an explosion of vivid green that brings a sense of renewal, joy, and remembrance to the heartfelt ending. Though the story is universally relevant, cultural cues and nods to Iranian culture will resonate strongly with readers of Iranian/Persian heritage. (This book was reviewed digitally.)

A beautifully poignant celebration of memories of a loved one that live on in those that remain. (Picture book. 4-8)

Pub Date: Oct. 15, 2021

ISBN: 978-1-77147-414-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: July 14, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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A floral fantasia for casual browsers as well as budding botanists.

THE BIG BOOK OF BLOOMS

Spirited illustrations brighten a large-format introduction to flowers and their pollinators.

Showing a less Eurocentric outlook than in his Big Book of Birds (2019), Zommer employs agile brushwork and a fondness for graceful lines and bright colors to bring to life bustling bouquets from a range of habitats, from rainforest to desert. Often switching from horizontal to vertical orientations, the topical spreads progress from overviews of major floral families and broad looks at plant anatomy and reproduction to close-ups of select flora—roses and tulips to Venus flytraps and stinking flowers. The book then closes with a shoutout to the conservators and other workers at Kew Gardens (this is a British import) and quick suggestions for young balcony or windowsill gardeners. In most of the low-angled scenes, fancifully drawn avian or insect pollinators with human eyes hover around all the large, luscious blooms, as do one- or two-sentence comments that generally add cogent observations or insights: “All parts of the deadly nightshade plant contain poison. It has been used to poison famous emperors, kings and warriors throughout history.” (Confusingly for the audience, the accurate but limited assertion that bees “often visit blue or purple flowers” appears to be contradicted by an adjacent view of several zeroing in on a yellow toadflax.) Human figures, or, in one scene, hands, are depicted in a variety of sizes, shapes, and skin colors.

A floral fantasia for casual browsers as well as budding botanists. (glossary, index) (Informational picture book. 7-9)

Pub Date: May 5, 2020

ISBN: 978-0-500-65199-5

Page Count: 64

Publisher: Thames & Hudson

Review Posted Online: March 25, 2020

Kirkus Reviews Issue: April 15, 2020

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