by David Mackintosh ; illustrated by David Mackintosh ‧ RELEASE DATE: May 14, 2019
Just wonderful.
At the beach, a child waits for a summer friend to arrive.
The book’s narrator, a young child whose skin color varies from kraft-paper brown to graphite-pencil gray, is waiting for Chicken Smith. Every year, Chicken Smith and his father occupy a cabin near the one the narrator’s family stays in. But this year, Chicken is late, and the narrator waits, shell gift in hand, recalling past summer activities: how Chicken can kick a tennis ball from the porch to the beach and his dog, Jelly, will fetch it, and how they go to the lighthouse with Chicken’s binoculars to look for whales. Regularly interrupting these musings, the narrator’s sister, Mary Ann, keeps urging, “Hey! Look!” but the narrator puts her off. Finally Mary Ann yells, “Just hurry up!” and she dashes to the lighthouse, with the narrator following. “There he is!” shouts Mary Ann, and points—to a whale. “Even with binoculars, Chicken Smith and I never saw one,” relates the narrator. As the poignancy of Chicken’s nonarrival settles in (readers see a “Summer RENTAL” sign on his cabin), Mackintosh deftly delivers a satisfying conclusion as the narrator and Mary Ann begin to bond. Mackintosh’s text perfectly captures the timelessness of childhood summer, and his scribbly illustrations (done in pen, pencil, ink, watercolor, and kraft paper) conjure associations of a child’s project sketchbook, the handcrafted look underscored by the old-fashioned-typewriter typeface.
Just wonderful. (Picture book. 3-8)Pub Date: May 14, 2019
ISBN: 978-1-5362-0771-2
Page Count: 32
Publisher: Candlewick
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Aly Raisman ; illustrated by Bea Jackson ‧ RELEASE DATE: April 2, 2024
Necessary and empowering.
Olympic gold medalist Raisman, who in 2017 spoke out about the sexual abuse she’d endured, presents a primer on bodily autonomy.
“I am strong. I am beautiful. I am unique. I am enough.” So begin the affirmations that appear in this sensitively written book. Raisman underscores the importance of being kind to one’s body and listening to what it needs. She notes that others need to ask permission before touching our bodies; sometimes the answer will be yes, but other times, it will be no. Either is acceptable. Sometimes, someone will forget to ask or won’t respect the answer. When that happens, children can tell them to stop. If they feel unsafe, and it’s hard to say no, they can ask for help from people who make them feel safe. Our voices are just as “powerful,” “beautiful,” and “worthy” as our bodies. Emphasizing the strength inherent in every person—and making clear that we all deserve respect—Raisman has created a much-needed resource for starting a dialogue about consent. Backmatter offers tips for adults about discussing bodies and boundaries. Jackson’s expressive, pastorally soft illustrations depict people, diverse in terms of race, ability, and body type, practicing gymnastics, gardening, and playing basketball. A light-skinned girl wearing a shirt reading “Aly,” presumably a stand-in for the author, features prominently.
Necessary and empowering. (author’s note) (Picture book. 3-8)Pub Date: April 2, 2024
ISBN: 9781250798107
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
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by Pip Jones ; illustrated by Sara Ogilvie ‧ RELEASE DATE: March 1, 2020
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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