by David McAninch ‧ RELEASE DATE: March 7, 2017
Warm recollections to please fellow Francophiles.
A debut memoir about eight months of French culinary delights.
In 2012, food writer and Chicago Magazine features editor McAninch was sent on assignment to Gascony, a fertile agricultural region bordering the Pyrenees in southwest France, to write a piece about duck. Although he had passed through the area on other visits, this time the “card-carrying Francophile” was smitten. Everything about Gascony entranced him: the amazing food, wines, customs, and people, who “seemed more open-minded than their compatriots,” importing from Spain “an easy warmth and boisterousness.” Forgoing trendiness (no nouvelle cuisine here), cooks created “dishes of immense depth from a limited palette of local ingredients that hadn’t expanded in generations.” Following a plot that has now become familiar, McAninch became obsessed, imagining Gascony as “a kind of Brigadoon,” and conceived the idea of writing about a region that he believed had been overlooked in favor of the more picturesque Provence. Soon, he, his wife, and young daughter were installed in an old water mill in the village of Plaisance, where they would experience all the blessings Gascony could offer from May to December. McAninch tells a charming but predictable tale of abundant meals prepared by fabulous cooks in their own kitchens or modest restaurants. The author enrolled in cooking classes and private lessons, practicing his new skills in his rudimentary kitchen. Meals, he writes, “became the organizing principle of our daily life.” Besides garbure (cabbage and white bean soup), poule au pot (chicken in a pot), duck confit, foie gras, seared duck breasts, and cream-filled tarts—recipes included—wine and beer flowed at every event, morning, noon, and night. “Glasses were filled, emptied, and filled again,” could serve as the book’s refrain. As in most such memoirs, the visiting Americans encounter kindly, sometimes-eccentric, always colorful, and voluble characters, such as the taciturn cheese maker who sometimes, but not always, manages to bring his wheels of cheese to market.
Warm recollections to please fellow Francophiles.Pub Date: March 7, 2017
ISBN: 978-0-06-230941-9
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 13, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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