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THE AMERICAN SPIRIT

WHO WE ARE AND WHAT WE STAND FOR

Clio, the muse of history, smiles and nods her head on every page.

A collection of speeches by the Pulitzer Prize– and National Book Award–winning historian and biographer.

Arranged chronologically, the texts of these speeches—most were university graduation talks—reveal both McCullough’s (The Wright Brothers, 2015, etc.) passion for history and his profound belief in America, or at least his vision of America, which is both encompassing and deeply hopeful. A number of significant historical figures appear throughout: John and Abigail Adams—McCullough, of course, published a Pulitzer-winning biography of John in 2001—John Quincy Adams, and Thomas Jefferson. The author also focuses on some who are slightly less well known: Lafayette, Simon Willard (whose clock in the U.S. Capitol appears in both the first and last of McCullough’s speeches), Founder Benjamin Rush, and clergyman Manasseh Cutler, founder of Ohio University. Throughout, the author displays a sincere respect for subject and audience. For the graduation speeches, he researched local history and prominent figures to enliven his talk, and he spoke directly to the graduates, offering advice—e.g., read books, study history, quit saying “like” and “you know.” At the national venues (Monticello, the U.S. Capitol), he rehearses their history both with engaging details and sweeping paeans. McCullough is relentlessly positive. At Monticello, for example, he confines his comments about Jefferson’s slave owning to a single sentence, and in his account of the long friendship between France and the United States, he does not mention the Iraq War, “freedom fries,” etc. But, as Emily Dickinson wrote, “hope is the thing with feathers,” and it is that bird that swoops through all.

Clio, the muse of history, smiles and nods her head on every page.

Pub Date: April 18, 2017

ISBN: 978-1-5011-7421-6

Page Count: 192

Publisher: Simon & Schuster

Review Posted Online: March 19, 2017

Kirkus Reviews Issue: April 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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