Here, Kaplan (Comfort, 1987) offers a collection of interrelated stories (marketed as a novel) that trace the coming of age, marriage, and divorce of a suburbanite. The whole is a little too calculated, likable but lacking in real power, though two or three pieces stand out as more than mere slice-of-life Weltschmerz. Between 1951 and 1990, narrator-protagonist Frank (the point of view varies) likes to break into houses, especially his own. In ``Break-in'' (1959), he says, ``Our life in crime seemed predestined'' before breaking into his parents' house with his friends and getting drunk. In the title story, Frank and Jane, his wife of three years, break into his parents' summer house, where they learn that they ``are increasingly doomed to say things they don't mean.'' The author plays with such before-and-after parallels throughout: in ``Governotou'' (1969), Frank goes to Crete alone, while in ``Tombs'' (1976), he goes with Jena, and a guide serves as a device that dramatizes their estrangement. By the last section, ``Homecoming''—which deals with the aftereffects of divorce—the attentive reader is repaid for too much minutely observed slightness. Frank breaks into the house where he and Jena (now remarried) once lived and telephones her for a sad, anguished conversation. In the powerful ``Stand,'' he returns to his parents' summer house, which has been sold, and has a tense, frightening encounter with some locals. Finally, ``In the Night'' (1990) lets Frank recoup a great deal of earlier wimpiness and self-pity as he talks girlfriend Allie, always on the verge of breakdown, through a crisis, making his life ``more redeemable somehow.'' ``You don't get it, do you?'' the wife asks. ``You don't see sad it all is.'' These stories, one reprinted in the O. Henry Prize Stories 1990, are aptly elegiac—the fictional record of a sterile, childless marriage.

Pub Date: Sept. 9, 1991

ISBN: 0-679-40517-8

Page Count: 256

Publisher: Pantheon

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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