Well-crafted and intelligent—yet lifeless and rambling: a ramble through Danny’s adolescence that has too much incident and...


Milofsky (Color of Law, 2000, etc.) returns with a coming-of-ager set in 1970s Milwaukee, the story of a young man’s emergence from the confines of a close-knit but troubled family.

When Danny Meyer went back to Milwaukee for his father’s funeral, it was his first visit in nearly 30 years to the home that he thought he’d been glad to leave forever. Born in Madison, Danny moved with his family to Milwaukee as a boy when his father became ill and had to give up his post at the University. Milwaukee was a big step down for the Meyers, who had enjoyed their status as a faculty family in college-town Madison, but Danny managed to find a kindred spirit in his classmate Joey Goodstein, whose family had also fallen on hard luck when his hotshot lawyer father had been sent to prison as a racketeer. Danny does well in school, partly because he finds refuge from his father’s illness and his brother’s mental delusions by retreating to an empty storage room in the basement of their apartment building to read. He also makes the acquaintance of Anna, a Holocaust survivor who lives down the hall and dotes on him. After Anna’s husband dies, she becomes the lover of Jesús, a Guatemalan immigrant who speaks no English and got into the country without papers. Anna writes to Henry Kissinger, whom she knew as a child in Germany, asking his help in getting a green card for Jesús, and Kissinger actually replies, offering his advice and assistance. In order to straighten out his status, however, Jesús must return to Guatemala and reenter the US. Anna goes with him, bringing Danny along. Eventually, Danny wins a scholarship to a good school and ends up a happy family man in Colorado.

Well-crafted and intelligent—yet lifeless and rambling: a ramble through Danny’s adolescence that has too much incident and too little focus to be engaging.

Pub Date: April 1, 2003

ISBN: 0-299-18520-6

Page Count: 232

Publisher: Univ. of Wisconsin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2003

Did you like this book?

No Comments Yet

Old-fashioned short fiction: honest, probing and moving.


One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 1, 2013

Kirkus Reviews Issue: Sept. 15, 2013

Did you like this book?

No Comments Yet



What's most worthy in this hefty, three-part volume of still more Hemingway is that it contains (in its first section) all the stories that appeared together in the 1938 (and now out of print) The Fifth Column and the First Forty-Nine Stories. After this, however, the pieces themselves and the grounds for their inclusion become more shaky. The second section includes stories that have been previously published but that haven't appeared in collections—including two segments (from 1934 and 1936) that later found their way into To Have and Have Not (1937) and the "story-within-a-story" that appeared in the recent The garden of Eden. Part three—frequently of more interest for Flemingway-voyeurs than for its self-evident merits—consists of previously unpublished work, including a lengthy outtake ("The Strange Country") from Islands in the Stream (1970), and two poor-to-middling Michigan stories (actually pieces, again, from an unfinished novel). Moments of interest, but luckiest are those who still have their copies of The First Forty-Nine.

Pub Date: Dec. 2, 1987

ISBN: 0684843323

Page Count: 666

Publisher: Scribner

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Nov. 15, 1987

Did you like this book?

No Comments Yet