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HARTSBURG, USA

This is fun to read.

All politics is local in this engagingly warm novel that humanizes the country’s culture wars.

The second novel by former political speechwriter Mizner (Political Animal, 2004) could have been a slapstick satire, as it details a school-board campaign pitting a born-again Christian with a questionable past against a failed screenwriter who has returned to his Ohio hometown, bringing some of his Hollywood values with him. Though Mizner has fun with his characters, he is more concerned with illuminating them than with making fun of them. Both former Texan Bevy Baer, a member of the mega-church that seems to be the only growth industry in what was once an industrial town, and Wally Cormier, who has forsaken screenwriting to write a liberal column for a local newspaper, are likable characters—so likable that their circles of friendships in a small town almost inevitably intersect. Not only does their political rivalry leave some friends torn, but it leaves both of their households ambivalent as running an aggressive campaign disrupts family stability. Bevy wants to rescue the schools from the clutches of secular humanism and to require that Intelligent Design be taught as an alternative to evolution. Wally decides to run after he discovers that his beloved boyhood movie theater has become a fundamentalist church. In an unlikely but not preposterous manner, both candidates receive strategic advice from national political operatives, who push the campaign into morally murky territory where it might not have gone without them. There is something of a scandal on each side, the revelation of which threatens to brand both of these candidates as hypocrites, particularly after the national press starts to focus on this minor race in an unknown town as a microcosm of the country’s polarities. Though Wally is no literary critic, he has some sage advice for his wife, a writer of experimental fiction that goes unpublished: “Try writing stuff that’s fun to read!”

This is fun to read.

Pub Date: Aug. 1, 2007

ISBN: 978-1-59691-326-4

Page Count: 368

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2007

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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