A fine coffee-table tome about a rich and threatened ecosystem.
A remnant group of elusive caribou in the Rocky Mountains embody the plight of a wilderness under siege in this lavishly illustrated eco-study.
Moskowitz (Wolves in the Land of Salmon, 2013, etc.), a wildlife tracker and photographer, explores the lives of the so-called “mountain caribou,” a subpopulation of reindeer living in a region of the Rockies that’s also the world’s largest interior temperate rainforest, stretching some 500 miles from Washington and Idaho to British Columbia. The area’s old-growth forests, watered by heavy rainfall and deep winter snowpack, furnish an unusual ecological niche for the caribou, who migrate up and down the mountains, subsisting mainly on lichen. Meanwhile, the caribou’s endangered status energizes human efforts to protect the forests from man-made encroachments. Moskowitz analyzes this biologically unique environment and the complex adaptations that caribou and other creatures have that enable them to survive there, surveys the destruction wrought by logging operations, examines the place of caribou in Indigenous cultures, and celebrates his own communion with primeval nature: “I bask in a moment of grace,” he writes about spying a grizzly and her cub in a clearing. The author’s tone occasionally gets strident, as when he decries “the juggernaut of Western civilization’s cancerous relationship with its habitat.” But his absorbing natural history usually makes a more measured, if still ardent, plea for preserving the forest and its fauna while also accommodating limited, sustainable human use of its resources. The book is strewn with gorgeous color photographs, most taken with camera traps that used motion detectors to sense and snap passing beasts. The caribou browsing the foliage or sniffing the lens aren’t the most visually charismatic creatures, and they frequently come off as a bit mangy. But other animals steal the show, including majestic bears, hypnotic mountain lions, suave lynxes, quarrelsome marmots, shrill wrens, and imperturbable toads. Moskowitz’s composed landscapes—featuring stars and the aurora borealis shimmering above trees, craggy peaks, soft meadows, and ravaged clear-cuts—are especially good and make a powerful argument for conservation.
A fine coffee-table tome about a rich and threatened ecosystem.Pub Date: Nov. 1, 2018
ISBN: 978-1-68051-128-4
Page Count: 192
Publisher: Braided River
Review Posted Online: Oct. 8, 2018
Kirkus Reviews Issue: Nov. 15, 2018
Review Program: Kirkus Indie
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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