A captivating legal thriller that’s impressively unpredictable.

NEMESIS

A courtroom thriller depicts a friendly rivalry turned deadly. 

Elliot Barrett’s life is an enviable one. He’s a prestigious physician with a thriving practice, a well-appointed home in New York City, a devoted wife, and two loving children. He risks it all when he becomes romantically involved with Lindsey Anderson, the seductive daughter of a patient. When she turns up dead, the police immediately blame Elliot. There is incontrovertible evidence placing him in her apartment and damning if circumstantial evidence suggestive of a sexual affair. Elliot decides to deny the tryst and enlists the help of his best friend, Ted Lapoltsky, a successful lawyer, to defend him. Unbeknownst to Elliot, Ted also had an affair with Lindsey and wanted to leave his wife for her, a design she squarely rejected. Ted and Lindsey had become locked in a passionate argument about it, and when she revealed she was also seeing Elliot, Ted grabbed her in a jealous fury, causing her to hit her head and sink into unconsciousness. While Ted defends Elliot, he’s careful to avoid even a hint of self-incrimination. He also revels in the opportunity to see his prudishly judgmental rival publicly disgraced. Elliot’s world begins to crumble around him. His wife’s trust wanes, his family is mortified, and his professional reputation’s tarnished. Debut author Pinto meticulously constructs a view of Ted’s long-standing envy. He worked indefatigably to rise above his inauspicious beginnings while Elliot was born into privilege—and yet Ruth, Elliot’s wife, looks down on him as a coarse careerist. The prose is plain but the plot a compelling one; it’s consistently tense and defies expectations. However, Pinto has a grating tendency to provide far too much explanatory commentary, apparently reluctant to allow the reader to draw their own inferences from the action: “How ironic that Elliot had to meet Lindsey to introduce him to the temptations he was preaching against. Apparently Elliot was after this hormone effect also. How odd that we both ended up enjoying the same woman. Elliot had fallen under her spell.”

A captivating legal thriller that’s impressively unpredictable.

Pub Date: July 1, 2018

ISBN: 978-1-942762-54-6

Page Count: 222

Publisher: Heliotrope Books

Review Posted Online: Aug. 27, 2018

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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