The illustrations’ muted colors and the poetic rhythm of the words slow the world down for remembering.


A Swampy Cree grandfather shows his grandson what it means to be connected to family and the land.

Moshom takes his grandson, the narrator, on a long journey to visit his boyhood home. He wants his grandson to see his family’s trapline, “where people hunt animals and live off the land.” To get there, they fly on a plane and go to a small house beside a big lake. “This is where we lived after we left the trapline.” They walk through a forest and see an old school building. “Most of the kids only spoke Cree, but at the school all of us had to talk and learn in English.” They travel in a small motorboat to an island, where “Moshom’s eyes light up.” He says, “That’s my trapline.” There are beaver dams and eagles and rock paintings. Moshom tells how everyone “slept in one big tent, so they could keep warm at night,” how even the youngest children had chores, and everyone shared the work. He tells how they caught muskrats, ate the meat, and sold the pelts “to buy…things you couldn’t get on the trapline.” Before leaving the island, the boy holds Moshom’s hand. His grandpa is quiet. “Kiskisiw means ‘he remembers.’ ” Swampy Cree words and their definitions conclude each page, summing up its themes. Robertson’s text is as spare as Flett’s artwork, leaving plenty of space for readers to feel the emotions evoked by both. (This book was reviewed digitally with 9-by-16-inch double-page spreads viewed at 51.6% of actual size.)

The illustrations’ muted colors and the poetic rhythm of the words slow the world down for remembering. (author’s note, illustrator’s note, glossary) (Picture book. 5-10)

Pub Date: May 4, 2021

ISBN: 978-0-7352-6668-1

Page Count: 48

Publisher: Tundra Books

Review Posted Online: March 31, 2021

Kirkus Reviews Issue: April 15, 2021

Did you like this book?

No Comments Yet

Good-hearted fun—great for fans of Kit Feeny and Babymouse.


From the Yeti Files series , Vol. 1

It’s a Bigfeet family reunion!

Everyone’s favorite frosty, furry cryptid, the yeti, actually has a name: Blizz Richards. From his supersecret HQ in Nepal he keeps in touch with his fellow cryptids, all of whom have sworn an oath to keep themselves hidden. That’s not always easy, especially when there are cryptozoologists, like the nasty (but bumbling) George Vanquist, who are always trying to expose the secretive creatures. Vanquist got a picture of Blizz’s cousin Brian near his home in British Columbia, causing the mortified Brian to disappear entirely. When Blizz receives an invitation to a Bigfeet family reunion in Canada, he calls his buddies Alexander (one of Santa’s elves), Gunthar (a goblin) and Frank the Arctic fox to help him get ready. When they arrive in Canada, Brian is still nowhere to be seen. Can Blizz and his skunk ape and other sasquatch cousins find Brian, have the reunion and evade Vanquist? If anyone can, the Bigfeet clan can. Illustrator Sherry’s first volume in the Yeti Files is a fast and funny graphic-prose tale full of labeled pictures and comic-style panels. Those just starting chapter books may have some trouble with a few big words, but they’ll enjoy the big friendly monsters and immediately ask for the next tale—which looks to be about the Loch Ness monster.

Good-hearted fun—great for fans of Kit Feeny and Babymouse. (Graphic/fantasy hybrid. 7-10)

Pub Date: Sept. 30, 2014

ISBN: 978-0-545-55617-0

Page Count: 128

Publisher: Scholastic

Review Posted Online: May 28, 2014

Kirkus Reviews Issue: June 15, 2014

Did you like this book?

No Comments Yet

Less pathological than Love You Forever but aimed at the same audience.


The reassurance of “one more hug” allows a little boy to take on fears, new challenges, and responsibilities as he grows into an older boy, adolescent, and finally young man.

Graceful gouache paintings delineate a child’s progress, from coping with the fear of a storm and a broken toy through the first time on a school bus, growing older and learning to climb a tree, ride a bike, play soccer, training with the track team, and, ultimately, driving away to life on his own. All the while, Mama is there to provide support and love, always with a special hug. Related in the past tense by Mama, the narrative reflects a nostalgic remembrance yet conveys the constant unbreakable bond between mother and child. “But even though you were older, you were still my boy. And you asked for… // one more hug before your big performance.” In a final sentimental reflection, Mama wonders if her now-adult son understands her pride and love for him and is happily rewarded with a surprise visit and “one more hug.” Children will enjoy reviewing the relatable illustrations of a growing child’s activities; however, it’s parents who will undoubtedly identify with the emotions. According to the author’s note, the intent is to assure parents that sons should be allowed to express their feelings. Both Mama and son are white.

Less pathological than Love You Forever but aimed at the same audience. (Picture book. 5-10)

Pub Date: Nov. 12, 2019

ISBN: 978-1-5344-2971-0

Page Count: 40

Publisher: Aladdin

Review Posted Online: July 14, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Did you like this book?

No Comments Yet