An absolute spellbinder. In Victorian-era Ceylon, amidst colonial strife and natural splendor, taboo love unfolds.
Debut novelist Rocklin blends the love-and-war sweep of Dr. Zhivago with the Heart of Darkness depth of Joseph Conrad. Fictionalizing the bio of 19th-century photographic innovator Julia Margaret Cameron, he creates, in Catherine Colebrook, an artist-as-mystic. “I brought forth the holy. I made light stop,” she marvels as she develops her portraits, luminous in beauty and far in technical advance of European (male) lensmen. As sorcerer’s apprentice, Eligius, the family’s 15-year old Tamil servant, not only facilitates her work but is compelled into a dangerous fascination with the Colebrooks—Catherine, his mother figure and aesthetic soul mate, daughter Julia, a Pre-Raphaelite lovely he adores from afar, and father, Charles, an aging, ailing imperialist functionary whose good heart but weak spirit moves and confounds him. The danger is psychologically and politically complex. His own father murdered for seeking Ceylonese rights, Eligius fears that, while Colebrook kindness melts his rage at everything Brit, his tenderness toward this foreign family may betray his native soul. His bond, too, with Catherine may further imperil her marriage, as Charles already dismisses her art. And when an arrogant English artist begins courting Julia, Eligius simmers. If Rocklin crafts plot with a Homeric “what’ll-happen-next” intensity, he’s also a prose poet. From his deftly evocative chapter titles—“The Night, Moving,” “Thirty Breaths”—to his painterly eye (cloth described as “white as blanched bone, soft”)—he’s capable not just of beauty but of aphorism: “Even God was born of fury at cold, at death, at what was always lost." History, art, celebratory feminism, rapturous writing and true suspense— this is a staggeringly good book.
Pub Date: Oct. 1, 2011
ISBN: 978-0-9790188-7-9
Page Count: 322
Publisher: Hawthorne Books
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Oct. 1, 2011
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
