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THE DAY THE PRESSES STOPPED

A HISTORY OF THE PENTAGON PAPERS CHASE

Set to come out on the 25th anniversary of the New York Times's publication of the Pentagon Papers—the 7,000-page secret history of the government's Vietnam War decision-making commissioned by Robert S. McNamara in 1967—Rudenstine's book is a remarkable achievement. Law professor Rudenstine (Benjamin N. Cardozo Law School) has mined the primary and secondary sources, interviewed three dozen important players, and unearthed new evidence. The result: a very readable political narrative with scholarly analysis of the landmark case. The excerpts and analyses of the papers that ran in the New York Times represented the largest unauthorized disclosure of classified documents in American history. The Nixon administration's effort to stop the Times (and later the Washington Post) marked the first time in American history that the government had sued to prevent newspapers from disclosing information for national security reasons. District Judge Murray Gurfein's order to cease publishing the material in question was the first time an American judge had taken such action against a newspaper. This substantive book's value lies in the breadth of the narrative, the sharpness of Rudenstine's analyses of the case's legal aspects, and the author's surprising but persuasively argued conclusion that the papers ``contained information that could have seriously harmed national security if disclosed.'' The government was unable to convince a majority of the US Supreme Court of that fact. And, as Rudenstine points out, the newspapers did not publish anything that had a negative impact on peace talks or that compromised diplomatic initiatives outside Vietnam. The Supreme Court chose ``to risk the dangers inherent in a freer press because the alternative resolution—enhancing government power to censor the press—was even more threatening to a stable and vital democracy.'' Nothing less than the definitive account of the Pentagon Papers case. (37 b&w photographs)

Pub Date: June 13, 1996

ISBN: 0-520-08672-4

Page Count: 448

Publisher: Univ. of California

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1996

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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A LITTLE HISTORY OF POETRY

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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