by David S. Reynolds ‧ RELEASE DATE: Dec. 1, 2004
Precise and provocative, learned and lucid. (12 b&w illustrations)
A concise and well-considered summary of the forces—biographical, social, cultural—that combined in fashioning our most original and democratic poetic voice.
Reynolds (English and American Studies/CUNY) is eminently equipped for the task of reducing to a sonnet the epic of Whitman’s life. A Bancroft winner for Walt Whitman’s America (1995), Reynolds knows the historical period (and the details of Whitman’s life) so thoroughly that he can find the essence—the quintessence, really—of a vast complexity. After an opening chapter sketching the peripatetic poet’s life (1819–92), the author examines clusters of influences that made Whitman Whitman. Among these are the Temperance Movement (Whitman published a novel on the subject, Franklin Evans, in 1842), the swirl and chaos and cacophony of urban life, the popular arts (especially the theater, oratory, painting, and photography), science and its next of kin (phrenology and mesmerism), philosophy (he read Swedenborg), religion, sex, war, and Lincoln. Whitman loved to hear the preaching of Henry Ward Beecher (who didn’t?) but wouldn’t permit any particular creed to circumscribe him. Reynolds properly credits the poet for his innovations in style and technique (poetry after Whitman no longer looked or sounded the same) and for his ambitious, surely quixotic, desire to encompass all experience in a word, a phrase, a poem. But Reynolds is no mere press agent for Whitman. He recognizes the ambiguities in the man, quoting, for example, a nasty social-Darwinist passage about race (from later in his life) that flatly contradicts the poet’s earlier egalitarian views. And there are other troubling contradictions. Whitman believed, on balance, that the Civil War was a good thing (it cleared the air!) but did see, in grim and red detail (as a volunteer nurse), the horrors of this air-clearing. (Another Dec. 2004 volume from Oxford, Memoranda During the War, a selection from Whitman’s journals during the war, edited by Peter Coviello, shows the range and capacity of the poet’s sensibility.)
Precise and provocative, learned and lucid. (12 b&w illustrations)Pub Date: Dec. 1, 2004
ISBN: 0-19-517009-1
Page Count: 144
Publisher: Oxford Univ.
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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