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THE STORY OF AIN'T

AMERICA, ITS LANGUAGE, AND THE MOST CONTROVERSIAL DICTIONARY EVER PUBLISHED

Perhaps too much Macdonald and not enough logo-geekery, but a well-researched, even loving, look at our language and its...

Former Weekly Standard editor and current Humanities magazine editor Skinner debuts with the story of Webster’s Third New International Dictionary, whose 1961 publication prompted assorted pundits to declare that the end of civilization was nigh.

Imagine a time when a dictionary could animate the media as much as a political sex scandal. It wasn’t that long ago. Skinner, who serves on the usage panel for the American Heritage Dictionary, knows dictionaries and how they are made and devotes a large portion of his attention to the nouns-and-verbs aspects of lexicography. (How are words discovered and selected? How are definitions written? Where do the examples come from?) The author also profiles the people who made the decisions about the book, including Dr. Philip Gove, editor-in-chief for the project, and his predecessors and successors. The author also sketches the stories of the dictionary’s harshest critics, principally Dwight Macdonald, whose biography Skinner distributes throughout. He examines the powerful cultural forces involved, including the rise of structural linguistics and cultural relativism, the effects of TV and movies on vocabulary, and the country’s changing demographics. We learn why the F-bomb and others are not in the book, and why Gove changed the style of definitions, why he included so many varying pronunciations, and why he viewed the volume as descriptive rather than prescriptive. This latter function is what ignited critics, many of whom believed the lexicographers had caved and had no interest in maintaining standards. (The author points out that ain’t was in many dictionaries, including Webster’s Second.) Skinner carefully identifies the critics’ errors and the lexicographers’ missteps, and he explores the economics and politics of the dictionary business.

Perhaps too much Macdonald and not enough logo-geekery, but a well-researched, even loving, look at our language and its landlords.

Pub Date: Oct. 9, 2012

ISBN: 978-0-06-202746-7

Page Count: 350

Publisher: Harper/HarperCollins

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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