Perceptive and subtly powerful, this tale attempts to close a perplexing chapter in American history.
In this novel, a doctor confronts his past at a prep school in the 1960s, where the students were unwilling participants in a study.
Robert Thames is an infectious disease physician who searches the tropics for compounds that may lead to the development of new antibiotics. He works for a government agency, and as he has not had much success lately, his position is being eliminated. While he’s at home, UPS delivers a series of boxes with a familiar return address. Back in the ’60s, Robert attended Danvers Academy, a private prep school in New Hampshire. It was an exclusive place, one in which he felt out of place. As a Filipino with Eurasian and American roots, he was one of the few minority students. He was raised in a modest home in the Philippines by adoptive American parents who were missionaries. While new at Danvers, he and other students were photographed nude for unknown reasons, but in reality, it was part of a study to link physical characteristics to personality traits and chances for future success. The study’s coordinator has now sent the boxes of photographs to Robert with the request that he complete the research. Robert is astonished and somewhat sickened by the situation, and a flood of memories fills his mind. He searches for his old school friends and even visits one in Nairobi who has also become a doctor. Robert wants Danvers and those involved in the scheme held accountable for their actions. As revelations of sexual abuse surface, the school’s administration contacts Robert as it tries to save Danvers’ reputation. Based on real events, Sklar’s (La Clínica, 2010) novel is both insightful and nuanced, and he manages to tackle difficult subject matter with compassion. He digs deep into the social realities that Robert lives in and writes beautifully about his protagonist’s feelings of displacement, confusion, and sexual and emotional wonder. Robert’s overall sense of decency gently cuts through any disingenuous sentiments on the parts of others. And the topic of the nude photos is dealt with as a convincing quest for atonement (“When I was alone at home at night, the boys in the photographs called out to me. At first I did not know what they wanted. Eventually I understood: They wanted me to tell our story”).
Perceptive and subtly powerful, this tale attempts to close a perplexing chapter in American history.Pub Date: Oct. 16, 2018
ISBN: 978-1-72062-442-4
Page Count: 296
Publisher: Volcano Cannon Press
Review Posted Online: Sept. 28, 2018
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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