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The Black River Chronicles

LEVEL ONE

From the Black River Academy series , Vol. 1

Well-crafted fantasy fiction about a team of young trainees tackling dangerous missions.

A novel follows a new student at the Black River Academy of Swordcraft and Spellcraft.

Durren Flintrand, a young ranger (a fantasy analog to a forest scout in James Fenimore Cooper’s Leatherstocking Tales), is introduced to a diverse group of other beginning students. There is the aptly named Tia Locke, a rogue (a fantasy genre professional thief), the oafish Hule Tremick, a fighter (an equivalent to a mercenary soldier), and Areinelimus Ironheart Thundertree, a tremulous female dwarf (in the Tolkien sense) wizard. Together, the four of them form “Party eighteen,” a sort of trainee adventure squad for fighting monsters, exploring mysterious places, and protecting the weak and helpless. Accompanied by Pootle, a disembodied eyeball assigned to be their observer, they are thrown into perilous operations by the teachers at the academy. With a mismatched set of personalities and diverse skill sets, the members of Party eighteen find themselves frequently at odds and in one another’s way. They must learn to work together and get along, overcoming their weaknesses and growing in confidence, skill, and ability to cooperate. Because of their youth and inexperience, they begin their “studies” with relatively small hazards—their first task is to recover merchant goods stolen by rat-people bandits. Nothing is perfectly safe, not even unicorns in the forest. But the young students’ learning curve is matched by ever-increasing risks, and soon they find their basic training is in the shadow of greater evils than the academy had ever warned them about. Tallerman (Passive Resistance, 2016, etc.) and debut author Wills freely borrow from the pop culture of “Dungeons & Dragons,” “World of Warcraft,” and similar fantasy adventure games, down to the “Level One” in the book’s title. In this way, the text partakes of both the strengths and weaknesses of “gaming fiction” (a notoriously lightweight subgenre of fantasy) as well as the obvious parallels to J.K. Rowling’s famous wizarding school. Familiarity takes some of the wonder away from the fantastic, but the authors compensate with superb pacing, competent writing, well-described action, fun situations, and appealing characters. The first in a series, the book remains a pleasant confection.

Well-crafted fantasy fiction about a team of young trainees tackling dangerous missions.

Pub Date: Sept. 28, 2016

ISBN: 978-1-927598-51-1

Page Count: 294

Publisher: Digital Fantasy Fiction

Review Posted Online: Nov. 22, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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