Well-crafted fantasy fiction about a team of young trainees tackling dangerous missions.

The Black River Chronicles

LEVEL ONE

From the Black River Academy series , Vol. 1

A novel follows a new student at the Black River Academy of Swordcraft and Spellcraft.

Durren Flintrand, a young ranger (a fantasy analog to a forest scout in James Fenimore Cooper’s Leatherstocking Tales), is introduced to a diverse group of other beginning students. There is the aptly named Tia Locke, a rogue (a fantasy genre professional thief), the oafish Hule Tremick, a fighter (an equivalent to a mercenary soldier), and Areinelimus Ironheart Thundertree, a tremulous female dwarf (in the Tolkien sense) wizard. Together, the four of them form “Party eighteen,” a sort of trainee adventure squad for fighting monsters, exploring mysterious places, and protecting the weak and helpless. Accompanied by Pootle, a disembodied eyeball assigned to be their observer, they are thrown into perilous operations by the teachers at the academy. With a mismatched set of personalities and diverse skill sets, the members of Party eighteen find themselves frequently at odds and in one another’s way. They must learn to work together and get along, overcoming their weaknesses and growing in confidence, skill, and ability to cooperate. Because of their youth and inexperience, they begin their “studies” with relatively small hazards—their first task is to recover merchant goods stolen by rat-people bandits. Nothing is perfectly safe, not even unicorns in the forest. But the young students’ learning curve is matched by ever-increasing risks, and soon they find their basic training is in the shadow of greater evils than the academy had ever warned them about. Tallerman (Passive Resistance, 2016, etc.) and debut author Wills freely borrow from the pop culture of “Dungeons & Dragons,” “World of Warcraft,” and similar fantasy adventure games, down to the “Level One” in the book’s title. In this way, the text partakes of both the strengths and weaknesses of “gaming fiction” (a notoriously lightweight subgenre of fantasy) as well as the obvious parallels to J.K. Rowling’s famous wizarding school. Familiarity takes some of the wonder away from the fantastic, but the authors compensate with superb pacing, competent writing, well-described action, fun situations, and appealing characters. The first in a series, the book remains a pleasant confection.

Well-crafted fantasy fiction about a team of young trainees tackling dangerous missions.

Pub Date: Sept. 28, 2016

ISBN: 978-1-927598-51-1

Page Count: 294

Publisher: Digital Fantasy Fiction

Review Posted Online: Nov. 22, 2016

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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