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THE HEARTBEAT OF WOUNDED KNEE

NATIVE AMERICA FROM 1890 TO THE PRESENT

A welcome modern rejoinder to classics such as God Is Red and Bury My Heart at Wounded Knee.

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An Ojibwe novelist and historian delivers a politically charged, highly readable history of America’s Indigenous peoples after the end of the wars against them.

Native American history, Treuer (Prudence, 2015, etc.) provocatively reminds us, does not end at Wounded Knee, which is usually the last major event concerning Native people that non-Natives can recite. The population of those who identify as Native has increased tenfold since 1900; a third of them are under the age of 18 in a time when many other populations—including white Americans—are aging. “We seem to be everywhere,” writes the author, “and doing everything.” This is not for want of trying otherwise on the part of the federal government, which, at several points in the last 12 decades, has attempted to delist Indian populations and seize reservation lands. Treuer’s account includes many such maneuvers, such as the Indian Reorganization Act of 1934, along with episodes of Native resistance that were not always successful. As he notes, for example, the American Indian Movement of the 1970s, born in the cities, often had trouble gaining a foothold on rural reservations such as Pine Ridge: “Despite its focus on reclaiming Indian pride by way of Indian cultures and ceremonies, and by privileging the old ways, reservation communities were not entirely sold on AIM.” Treuer has been through a tremendous amount of literature to write this book, but he’s also been out on the land talking with people in those communities, as with one tough Blackfoot elder he interviewed: “He had the clipped tones of the High Plains along with a kind of ‘Don’t fuck with me’ cadence that I always think of as ‘elderly Indian voice.’ ” Treuer closes his lucid account with a portrait of the “water keepers” who gathered from all over the continent in the hope of protecting Sioux lands against an oil pipeline that, for the moment, has been stalled in its tracks through their efforts.

A welcome modern rejoinder to classics such as God Is Red and Bury My Heart at Wounded Knee.

Pub Date: Jan. 22, 2019

ISBN: 978-1-59463-315-7

Page Count: 528

Publisher: Riverhead

Review Posted Online: Oct. 1, 2018

Kirkus Reviews Issue: Oct. 15, 2018

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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