by David Treuer ‧ RELEASE DATE: Jan. 22, 2019
A welcome modern rejoinder to classics such as God Is Red and Bury My Heart at Wounded Knee.
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An Ojibwe novelist and historian delivers a politically charged, highly readable history of America’s Indigenous peoples after the end of the wars against them.
Native American history, Treuer (Prudence, 2015, etc.) provocatively reminds us, does not end at Wounded Knee, which is usually the last major event concerning Native people that non-Natives can recite. The population of those who identify as Native has increased tenfold since 1900; a third of them are under the age of 18 in a time when many other populations—including white Americans—are aging. “We seem to be everywhere,” writes the author, “and doing everything.” This is not for want of trying otherwise on the part of the federal government, which, at several points in the last 12 decades, has attempted to delist Indian populations and seize reservation lands. Treuer’s account includes many such maneuvers, such as the Indian Reorganization Act of 1934, along with episodes of Native resistance that were not always successful. As he notes, for example, the American Indian Movement of the 1970s, born in the cities, often had trouble gaining a foothold on rural reservations such as Pine Ridge: “Despite its focus on reclaiming Indian pride by way of Indian cultures and ceremonies, and by privileging the old ways, reservation communities were not entirely sold on AIM.” Treuer has been through a tremendous amount of literature to write this book, but he’s also been out on the land talking with people in those communities, as with one tough Blackfoot elder he interviewed: “He had the clipped tones of the High Plains along with a kind of ‘Don’t fuck with me’ cadence that I always think of as ‘elderly Indian voice.’ ” Treuer closes his lucid account with a portrait of the “water keepers” who gathered from all over the continent in the hope of protecting Sioux lands against an oil pipeline that, for the moment, has been stalled in its tracks through their efforts.
A welcome modern rejoinder to classics such as God Is Red and Bury My Heart at Wounded Knee.Pub Date: Jan. 22, 2019
ISBN: 978-1-59463-315-7
Page Count: 528
Publisher: Riverhead
Review Posted Online: Oct. 1, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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