by David Wisniewski & illustrated by David Wisniewski ‧ RELEASE DATE: Oct. 18, 1996
A fact-filled final note concludes this mesmerizing book.
The much honored cut-paper master (Sundiata, 1992, etc.) turns his attention to a retelling of the story of the Golem, created by a chief rabbi, Judah Loew, to defend the Jews against the "Blood Lie" (that Jews were mixing the blood of Christian children with the flour and water of matzoh) of 16th-century Prague.
Like Rogasky's book (see review, above), Wisniewski's exposes the slander that was embraced and widely promulgated during the Holocaust years. Loew's Golem—a sort of simple yet powerful giant made of clay with the Hebrew word emet (truth) on his forehead—is named Joseph and charged to "guard the ghetto at night and catch those planting false evidence of the Blood Lie ... and bring them unharmed to the authorities." In Wisniewski's story, the Golem turns back the rampaging masses who want to destroy the Jews of Prague and is eventually returned to the clay from which he sprang. The cut-paper collages are exquisitely produced and exceedingly dramatic. There is menace and majesty in Wisniewski's use of color, and he finds atmosphere and terror in a scissor's stroke.
A fact-filled final note concludes this mesmerizing book. (Picture book/folklore. 6-10)Pub Date: Oct. 18, 1996
ISBN: 978-0-395-72618-1
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1996
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by Melissa Thomson and illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2009
Keena Ford’s second-grade class is taking a field trip to the United States Capitol. This good-hearted girl works hard to behave, but her impulsive decisions have a way of backfiring, no matter how hard she tries to do the right thing. In this second book in a series, Keena cuts off one of her braids and later causes a congressman to fall down the stairs. The first-person journal format is a stretch—most second graders can barely write, let alone tell every detail of three days of her life. Children will wonder how Keena can cut one of her “two thick braids” all the way off by pretend-snipping in the air. They will be further confused because the cover art clearly shows Keena with a completely different hairdo on the field trip than the one described. Though a strong African-American heroine is most welcome in chapter books and Keena and her family are likable and realistic, this series needs more polish before Keena writes about her next month in school. (Fiction. 6-9)
Pub Date: July 1, 2009
ISBN: 978-0-8037-3264-3
Page Count: 112
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2009
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by Melissa Thomson & illustrated by Frank Morrison
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by Melissa Thomson & illustrated by Frank Morrison
adapted by Rachel Isadora & illustrated by Rachel Isadora ‧ RELEASE DATE: Oct. 1, 2008
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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