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ABIGAIL THE WHALE

While Abigail’s internal process feels believable, there is no condemnation of the bullying, and the resolution with the...

A fat girl named Abigail copes with a negative body image.

Unfortunately, this book’s good intentions miss the mark. The very title, juxtaposed with jacket art depicting a heavyset white girl clad in a bathing suit and goggles, risks reinforcing the fat-shaming it attempts to undo. As the book opens, Abigail walks, head down, toward a group of jeering, thin, white children. “Abigail always tried to be last in line, because she knew that when she dived in, she would make an enormous wave, and everyone would shout, 'ABIGAIL IS A WHALE!’ ”—and that’s exactly what happens. Also poolside is the swimming teacher, a white man, who is fat, too. Although he does nothing to stop or correct the children’s bullying of Abigail, he talks with her afterward, praising her swimming and telling her, “if you want to feel light, think light.” She decides to practice this mind-over-matter advice in other ways (thinking “giant” to feel big and powerful on her walk home and “hedgehog” to cozily burrow into bed for a good night’s sleep), building up to her next dive into the pool. Then she thinks “rocket and enter[s] the water without a splash.” This success suddenly makes the others cheer her on, and she even reclaims the term “whale” in order to summon the bravery to jump from the highest diving board.

While Abigail’s internal process feels believable, there is no condemnation of the bullying, and the resolution with the other children feels forced. (Picture book. 6-8)

Pub Date: Sept. 15, 2016

ISBN: 978-1-77147-198-5

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: June 27, 2016

Kirkus Reviews Issue: July 15, 2016

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THE NOTE WHO FACED THE MUSIC

Amusing but a little off tempo.

It’s important to hit all the right notes.

A tan-skinned musical composer with puffy black hair is busy at work on his next musical masterpiece when Half Note, a music symbol denoting two beats, feels unappreciated. Half Note is jealous of the more commonly used Quarter Note (one beat) and Eighth Note. Although the other musical symbols attempt to calm and comfort Half Note, she decides to run away. The next day, Composer needs Half Note and panics when he realizes that she’s gone. The other notes and musical symbols try to find her, but it’s only when they try to play her favorite song, “Twinkle, Twinkle, Little Star,” without her—with terrible results—that she comes running back. The story’s humor—which is largely based on “dad joke” puns—is completely dependent on readers’ musical knowledge. The artwork, a mix of acrylic and colored pencil, attempts to add some allegrezza to the piece, and while it’s not unsuccessful, it’s facing an uphill battle. Music teachers and musically minded caregivers may find some value in this story, but it will likely be too specialized for general readers. (This book was reviewed digitally.)

Amusing but a little off tempo. (glossary) (Picture book. 6-8)

Pub Date: March 14, 2023

ISBN: 978-1-64567-631-7

Page Count: 32

Publisher: Page Street

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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KONDO & KEZUMI VISIT GIANT ISLAND

From the Kondo & Kezumi series , Vol. 1

A story of friendship that is both lively and lovely

Two friends embark upon a high-seas adventure.

Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)

A story of friendship that is both lively and lovely (Fantasy. 6-8)

Pub Date: Oct. 27, 2020

ISBN: 978-1-368-02577-5

Page Count: 80

Publisher: Little, Brown

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: July 15, 2020

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