by Davide Calì ; illustrated by Raphaëlle Barbanègre ‧ RELEASE DATE: Oct. 10, 2017
Cinderella joins Elizabeth in advocating for girl power.
A feminist version of “Cinderella” to suit fans of Robert Munsch’s The Paper-Bag Princess (1980).
This tale begins like the traditional one, with Cinderella slaving away for her stepmother and two stepsisters. But when the day of the prince’s annual ball arrives, she takes matters into her own hands and phones a fairy-godmother service she sees advertised. (Indeed, all of Cinderella’s expectations and dreams are based on ads and magazine articles, a subtle message that most readers will probably miss.) But the fairy godmother who arrives with her animal helpers isn’t anything like what was pictured in the ad. And the dress and slippers and turnip coach the fairy godmother conjures aren’t standard either. Dashed expectations don’t end there, however, as Cinderella discovers when she wins the dance contest (despite a severe wardrobe malfunction) and a solo dance with the prince, who is definitely better in glossy pages than in person. Cinderella’s flight is in earnest, but it quickly becomes a flight to something rather than away: the Girls Only Job Fair gives Cinderella a new lease on life. Barbanègre’s digital illustrations feature bright pastels and a sort of Addams Family sensibility. While the scene inside the job fair features diverse women of all shapes, sizes, and colors, the rest of the book is largely white save for two brown-skinned dance contestants (and the green-skinned fairy godmother!).
Cinderella joins Elizabeth in advocating for girl power. (Picture book. 4-8)Pub Date: Oct. 10, 2017
ISBN: 978-1-101-91898-2
Page Count: 32
Publisher: Tundra Books
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
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