Corrigan clearly had fun writing this. Fans of light mysteries and strong women will have fun reading it.


Corrigan’s Mitigating Circumstances is billed as a thriller, but it’s told with a light touch.

Gail LaRue is a junior city planner for Gulf Breeze in Florida’s panhandle. Her hands are full dealing with code violations such as the rash of illegal signs that pop up everywhere in the middle of the night. The signs refer to land mitigation, the process of creating new wetlands equal to the amount of wetlands being destroyed by developers. Meanwhile, an environmentally active woman named Karen Baretta is kidnapped—not for ransom or sex, but for a more creative reason. Still, her life is in danger. Can Gail help authorities rescue her? This is mostly Gail’s story, with a good deal of Karen’s point of view included. Gail is smart, funny and tough when circumstances call for it. Instead of using profanity, she and co-worker Em express exasperation by exclaiming the names of dead writers: “Edna St. Vincent Millay!” “John Greenleaf Whittier!” Near and dear to Gail’s heart are “The Girls,” which she calls her breasts. This becomes important when one of The Girls plays a creative role in resolving the story. The humor is gentle, often evoking smiles or chuckles but not gut-busting guffaws. Now and then, Gail’s explanations of rules and regulations get a tad wonky, but those digressions are mercifully short. So this isn’t your typical thriller where the tension and the body count continue to build—they don’t. Or where the fate of Western civilization hangs in the balance—it doesn’t. We’re just talking Gulf Breeze here. This is simply an enjoyable read with strong, likable women holding center stage. Less serious than Sue Grafton’s Kinsey Millhone, Gail LaRue is more like Janet Evanovich’s heroine. Think Stephanie Plum without the wackiness.

Corrigan clearly had fun writing this. Fans of light mysteries and strong women will have fun reading it.

Pub Date: Dec. 18, 2013

ISBN: 978-1-4328-2779-3

Page Count: 236

Publisher: Five Star

Review Posted Online: Oct. 8, 2017

Kirkus Reviews Issue: Nov. 1, 2013

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless...


Two defrocked Secret Service Agents investigate the assassination of one presidential candidate and the kidnapping of another.

Baldacci (The Christmas Train, 2002, etc.) sets out with two plot strands. The first begins when something distracts Secret Service Agent Sean King and during that “split second,” presidential candidate Clyde Ritter is shot dead. King takes out the killer, but that’s not enough to save his reputation with the Secret Service. He retires and goes on to do often tedious but nonetheless always lucrative work (much like a legal thriller such as this) at a law practice. Plot two begins eight years later when another Secret Service Agent, Michelle Maxwell, lets presidential candidate John Bruno out of her sight for a few minutes at a wake for one of his close associates. He goes missing. Now Maxwell, too, gets in dutch with the SS. Though separated by time, the cases are similar and leave several questions unanswered. What distracted King at the rally? Bruno had claimed his friend’s widow called him to the funeral home. The widow (one of the few characters here to have any life) says she never called Bruno. Who set him up? Who did a chambermaid at Ritter’s hotel blackmail? And who is the man in the Buick shadowing King’s and Maxwell’s every move? King is a handsome, rich divorce, Maxwell an attractive marathon runner. Will they join forces and find each other kind of, well, appealing? But of course. The two former agents traverse the countryside, spinning endless hypotheses before the onset, at last, of a jerrybuilt conclusion that begs credibility and offers few surprises.

Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless concoction.

Pub Date: Sept. 30, 2003

ISBN: 0-446-53089-1

Page Count: 406

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2003

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