Fans of magical realism à la Alice Hoffman will feel at home with this story.
Debut novelist Davis spins a time-travel story that features an unstoppable young heroine.
Charlotte, a Toronto fifth-grader, is a girl who dominates everyone around her by force of her determined imagination. She’s being raised by her grandfather Leo after suffering a childhood injury and the deaths of her parents, and he keeps a light hand on the reins of the stubborn but fragile girl. Her best friend is Henry, and one day, the two are hiding in the forbidden tower room of Leo’s house when his friend Gwendolyn comes to call. They hear her describe a missing brooch, carved with an image of a tree from Welsh legend, and then they’re suddenly whisked from their hiding place to 1939 Toronto. The elderly Gwendolyn is now Charlotte’s age—a snooty girl who’s splendidly equal to Charlotte in bossiness and quite uninterested in her unexpected guests. The children soon discover the adult Leo working in the family’s kitchen. It turns out that he’s time traveled before, and he tells Charlotte that she must accomplish a mission here in the past. She isn’t thrilled that her quest involves the unlikable Gwendolyn, but she takes to the adventure with aplomb. Henry also flourishes, finding boyhood in the 1930s much more congenial than its 1990s version. Charlotte and Henry aren’t always convincingly childlike, particularly in the book’s quirkier moments, but they effectively carry the story. Charlotte’s boldness and Henry’s irritated devotion will make young readers grin. The period history is detailed and intriguing, as well, and includes ugly glimpses of anti-Semitism half a world away from the coming war in Europe. The story of the brooch ties lightly into past world events as well as those of Charlotte and Henry’s own decade. A few plot threads remain unresolved, particularly regarding Charlotte’s rather vague back story and a subplot about a royal visit. Overall, however, Davis is a very engaging storyteller, and Charlotte is a wonderful creation.
Fans of magical realism à la Alice Hoffman will feel at home with this story.Pub Date: June 4, 2015
ISBN: 978-1-4602-6633-5
Page Count: 304
Publisher: FriesenPress
Review Posted Online: July 22, 2015
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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