A fiery family drama, ultimately dampened by a morose second act.

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THE EYES HAVE IT

Lajeunesse’s (Star Catching, 2016) latest novel tells a story of star-crossed lovers, family secrets, and brewing hatred.

High schooler Olivia Regan had never really thought much about her boyfriends, but then, during her senior year, she meets Ethan Alexander. His mere presence “blurred [her] vision and drained the strength from [her] legs.” “You feel it too,” Ethan notes after they meet, acknowledging the seemingly supernatural pull that they feel toward each other. As the young lovers’ passion intensifies and graduation day nears, they begin to learn more about each other’s families. Ethan’s household is blended and multicultural; his mother, Samar, perhaps the book’s most delightful character, immigrated to America from Saudi Arabia as a single mother with Ethan’s older brother, Jamail, in tow. Olivia’s dad, Josh, reacts with unexpected anger at Ethan’s presence, causing her and her mother to wonder if he has a prejudice against Muslims. What they don’t know is that Josh and Samar have known each other since he was a soldier during the first Gulf War. As Ethan and Olivia’s relationship continues, it seems only a matter of time before family secrets will come to light. Simultaneously, however, Ethan begins to notice that Jamail is acting strangely; he starts using the word “infidels,” and he has a gun in his apartment. Lajeunesse constructs a powder keg of family secrets, featuring plenty of dramatic irony. Ethan and Olivia’s love for each other starts to feel increasingly over-the-top, and it seems as if the story is headed for a grand, soap-opera-style reckoning. Instead, a shocking act of terrorism upends all the characters’ lives and sets the novel’s second half on a decidedly grim trajectory. Olivia remains a vulnerable and realistic heroine throughout, and Lajeunesse pays close attention to her emotional oscillations between yearning and disappointment. However, once the FBI and terrorism come on the scene, the story seems unable to consider tolerance and multiculturalism from a subtle perspective.

A fiery family drama, ultimately dampened by a morose second act.

Pub Date: Aug. 31, 2019

ISBN: 978-1-4575-7110-7

Page Count: 198

Publisher: Dog Ear Publishing

Review Posted Online: Nov. 6, 2019

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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