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IN THE YEAR OF LONG DIVISION

From Redbook's fiction editor, 16 short stories (some of which have appeared in various literary magazines) that coolly explore the human heart in pared-down prose. Most of the tales are set in the Midwest, where the land and the lakes seem as menacing as the relationships within families, marriages, and friendships. Many, including the title story, are about childhood; reflecting today's conventional wisdom, Raffel's children are surrounded by disaster, dysfunction, and despair. In ``We Were Our Age,'' a young girl's friendship with a boy is shadowed by the drowning death of the boy's brother. The narrator of ``The Other R's'' recalls how she, her sister, and their mother became involved with a neighborhood tragedy when a family whose last name also began with R ``had something the matter with their baby.'' In ``Something Is Missing of Yours,'' a young girl caught in the middle of her parent's unhappiness struggles to find a refuge of her own. The most accomplished work is the title story, in which Raffel lets a snowstorm that closes streets and schools become a metaphor for sexual difference as two sisters observe the activities of the boys across the street, who ``were always breaking bones.'' Other notable tales describe a troubled marriage in which a husband bets that his wife will be seduced by a friend (``The Trick''); a confused old woman who goes to visit a doctor at an address a beloved, long-dead friend had once given her (``The Seer''); and two alienated people who head north on a surreal search for a mythical house that offers peace and security (``Nightjars''). The weakest piece in the collection is ``City of Portage,'' a brief, self-consciously metaphorical history of Wisconsin's founding seen through a widow's eyes. Original, clever, and finely wrought, but too minimalist to live. Low-fat lit in need of some nourishment.

Pub Date: Jan. 16, 1995

ISBN: 0-679-41581-5

Page Count: 128

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1994

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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